A Quote by Tim Miller
What works for me in 'Indiana Jones' is the fact that I can project myself onto the character. Maybe if I was cool enough, I could do what he does. But I can't do that if the story breaks the rules of reality in too large of a degree.
Related Quotes
I never had an imaginary friend, just imaginary circumstances. I was so into the Indiana Jones movies, and I would constantly reenact circumstances. I broke my left arm three times, two of which were me trying to be Indiana Jones.
I never had an imaginary friend, just imaginary circumstances. I was so into the Indiana Jones movies and I would constantly reenact circumstances. I broke my left arm three times, two of which were me trying to be Indiana Jones.
There is no barrier to Indiana Jones growing older. It's not an age-based character. We can't bang him up as much as we used to, maybe. But I guess I can pretend to have the capacity as well as I pretended before.
I always try to do as much as I can do. I'm never a person that does not enough, because I'd regret not doing enough and think I probably could have done more. I probably go too far and have to reel myself back in, which works in some things, and other things it doesn't work.
Fans have always said that I would make a great Indiana Jones, a great Young Indiana Jones.
If anything could have pulled me out of retirement, it would have been an Indiana Jones film.
If anything could have pulled me out of retirement it would have been an Indiana Jones film.
Avicii's melodies were so simple and cool, and they were actually similar to the melodies I played on piano. I thought if I could teach myself how to produce and get those melodies out of my head and into the computer, maybe I could make some cool music, too.
What I enjoyed about being in the world of Jessica Jones, as Luke Cage, is that I wasn't front and center because it was Jessica Jones' story, but it allowed me to find the character from a different perspective.
I'm not someone who works a lot, and what I mean by that is that I have a project and I focus on it, and I don't spread myself too thin. I try to give as much as I can to that project, and if we have a lot of time, that's amazing for me, because I like to really dive deep and do as much as I can.
No more photos. Surely there are enough. No more shadows of myself thrown by light onto pieces of paper, onto squares of plastic. No more of my eyes, mouths, noses, moods, bad angles. No more yawns, teeth, wrinkles. I suffer from my own multiplicity. Two or three images would have been enough, or four, or five. That would have allowed for a firm idea: This is she. As it is, I'm watery, I ripple, from moment to moment I dissolve into my other selves. Turn the page: you, looking, are newly confused. You know me too well to know me. Or not too well: too much.
We know that we need to explore desire in fiction - many say that the only way a story exists is that a character feels a strong desire - and nature is the place where creatures act on their desires in the most pure way imaginable, so maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I'm interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
Harrison Ford is a great actor and he's and lovely man and a great father and all of these things, I got to just meet him as a person and someone I respect as an actor.I'd never seen any 'Indiana Jones' movies or 'Star Wars' movies. My husband made me watch the Indiana Jones trilogy, I just was like fanboy Comic-Con geeked out. It was amazing I didn't show up to set with a whip and a hat.
What I love about Indiana Jones is he always bites off slightly more than he can chew. The guy he's fighting is always slightly tougher than he is, but he just refuses to give up. And that's what makes Indiana Jones a hero: not his superpowers, but his refusal to be beaten.
'Indiana Jones' was me growing up. I could quote lines from 'Tango and Cash' as much as I could quote lines from 'The Searchers'.
It's always hard but the reality is, especially in my case, that every time I go to work I have to do it so it's become part of the job. It's an extra challenge but it's also quite often another extra tool that you have to really think consciously about getting into the character. So while it does require more work, it's maybe even an advantage to a degree because it forces you to switch, to consciously have to jump into and out of the character.
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