A Quote by Timothy Miller

I don't want to make a movie for 100,000 fans that nobody else in the world sees, because I don't think that's good for the character. — © Timothy Miller
I don't want to make a movie for 100,000 fans that nobody else in the world sees, because I don't think that's good for the character.
We didn't want to make a movie that excluded any fans. 'Venom' fans actually are of all ages, and so we wanted to be inclusive to all the fans that were excited about the movie.
If you're going to advance as a referee and make that $75,000 to $100,000 a year in the playoffs, you're going to give the league what they want. Because they are grading you.
When I show up to act in a movie for somebody else, I just want to be nice and helpful and do what they want because I know how difficult it is to make a movie. I don't want to cause any problems. So you show up and do your job, and I think if a director understands that, you don't make a lot of demands.
I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
Any asshole can make a good movie for $100 million. I think it's way harder to make a movie with no money, and to start with no contacts and work your way up to international productions.
I don't have a goal of playing in front of 10,000 people or 100,000 people, it's about seeing the journey and the progress. Like how each show, you have 200 more fans or 400 more fans. It's just fun.
I get $100,000 a picture and if I don't work, that means that's $100,000 I don't make.
There's a moment in every romantic comedy when a person sees something in someone else that nobody else sees.
It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.
If you lose a fight you were paid £800,000 for, the next fight you'll get £100,000 so that's a big drop. If your ratings drop everything drops. I just want to make a good living for my daughter and the rest of my family and to enjoy life.
I'm not in competition with nobody. I want to make good music for my fans who want it, who enjoy it, who learn something from it. And that's what it is.
Bush can talk about 100,000 people wanting to go work in the police or in the army. It's because there's nothing else for them to do. They're willing to stand in line to get bombed because they want to take care of their family.
People watch TV and think a two-foot putt is the greatest thing in the world when a guy knocks it in. But nobody is rushing you. You don't have a center, you don't have a holder. You don't have 100,000 people screaming at you.
I don't really like those sorts of actresses who say, 'I don't want to make that movie,' but they make the movie. They just spend their time not liking being on a set and I just think it's absurd, because we are so lucky to do this job. When you accept to make a movie, just make the movie. And then it's more easy for relationships.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
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