A Quote by Timothy Olyphant
It's very rare that you can be in a career for as long as I have and still feel like you're constantly learning and coming at it from an almost childlike perspective.
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I still feel childlike. Not childish - there's a difference. But to be childlike is to be savoured and treasured. I offer my books to those who like the things of childhood; the challenges, intrigue, joy and fun.
I think I still keep my sense of wonder, which I call childlike, not childish, childlike. I still have a vivid imagination, and I like to try a lot of new things.
I feel like I'm constantly learning. Constantly trying to grow.
I've done seven movies in eight years, and with each movie I feel like I'm learning a lot. I'm still young-ish, so I still feel like I'm in the zone of learning and creating. Those are the perfect places to do that. And in a weird way, you have a lot of freedom.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
Fifteen is such a weird age to be. Nobody treats you like an adult, but you desperately want to be one. You still have these childlike aspects, but you're just kind of coming into the world.
I actually had someone say to me, 'Lynn, you're going to have very good days, and you're going to have very bad days. But It's rare that things are as good as they look, and it's rare that things are as bad as they seem.' So having perspective, and challenging perspective, is important to making good decisions.
I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.
I feel like after Money in the Bank in Phoenix, I almost took a nose dive, career-wise. I couldn't get the reigns on it, but I feel like I finally got the reigns on my career again, and that happens in entertainment.
I am still a consumer; the consumer world was the world I emerged into, whose air I breathed for a very long time, and its assumptions still dominate my psyche—but maybe a little less each year....There are times when I can feel the spell breaking in my mind….There are times when I can almost feel myself simply being.
I think if you have a comic perspective, almost anything that happens you tend to put through a comic filter. It's a way of coping in the short term, but has no long term effect and requires constant, endless renewal. Hence people talk of comics who are "always on." It's like constantly drugging your sensibility so you can get by with less pain.
I feel like utopia is neither here nor there. It's in that sort of space where you feel the most present, and that can be on tour [or] at home. It's easier to get to that place on tour because your environment is constantly changing, and from a very primal, evolutionary perspective, you have heightened awareness when you're in an unfamiliar place, so it's easier to access that state.
The first long chapter of my career was almost entirely theater so that, by the time I was 30, 35, I sort of knew who I was as an actor, and I was gradually learning who I was as a human being.
Those first memories of my modeling career are not my favorite. At the beginning, it was tough. I was very lucky, my career took off very quickly, but still. All the memories I have about first casting in general - they're not nice. Just because there's so many girls, so much competition. I don't blame those casting directors, they see so many girls and they can't be nice to everybody. But you don't feel like a person, you feel like a number.
I've learned to think in terms of having a long career. Actors can have very long careers that last until the day we die, but there will be moments when you'll feel like you're a failure or when you're disappointed in yourself.
I try to have a very well-rounded group of friends that did a lot of different things and weren't just performers. Because I feel like there's both less feeling of competitiveness, and it put my own career in perspective.
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