A Quote by Tina Knowles

It's easy to make clothes for a model, but when you can put them on real women and real curves, that's the test. — © Tina Knowles
It's easy to make clothes for a model, but when you can put them on real women and real curves, that's the test.
Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.
It is easy to make stuff up - and easy to dig up information and repeat it or report it to others. But to find a real life story with real people in real life situations is quite difficult and time-consuming. Yet, the rewards are worth the effort.
I do what I do to inspire people. They can't be inspired by an ego, a big-headed person. It doesn't work. It doesn't match. And I really want to be that role model for people, for children. I want to be real. To my fans, I want them to view me as a real person. Don't put me on a pedestal. I'm human. I make mistakes, I cry, I hurt - just like you.
I think most women we go through a stage in relationship, this is men and women where I'm trusting you, but now I got to test it, I have to make sure your the real deal.
No good book has ever been written that has in it symbols arrived at beforehand and stuck in. ... I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things
Sometimes I won't put a lot of make up on; I won't put foundation on. I'll just pop a bit of blusher on. I'm not obsessed with trying to look like a Victoria's Secret model - it's real life.
When real is gone, then there is no longer a litmus test for that which deviates from it. It's all real because it's all 'real.'
Widening a garment or making it larger is not understanding the real curves of a plus size women.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
It's easy to pretend 'to be fierce and fearless because living your truth takes real courage. Real fearless and fierce women admit mistakes and they work to correct them. We stand up and we use our voices for things other than self promotion. We don't stand by and let racism and sexism and homophobia run rapid on our watch. Real fearless and fierce women complement other women and we recognize and embrace that their shine in no way diminishes our light and that it actually makes our light shine brighter.
My definition of democracy is - A form and a method of Government whereby revolutionary changes in the social life are brought about without bloodshed. That is the real test. It is perhaps the severest test. But when you are judging the quality of the material you must put it to the severest test.
You sit men and women down and give them a maths test, and they will do fairly equally. Then you set up the same test, but with different people, and make them tick a box to say whether they are a man or a woman, and the women do significantly worse in the maths test than they did previously in a group set.
The reason I became an actress is because I wanted my acting to reflect life as it is. I want to put truth on the screen. I want real women to see real women on the screen.
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
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