A Quote by Tina Turner
I remember music first artists second.
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One of the things I love about jazz music is that intent is first and execution is second. In classical music, execution is first and intent is second, meaning that you must first learn a piece before you can truly add your interpretation to it.
I can remember my first one-night stand like it was yesterday. Well, maybe not the first. Or the second... or the fifth. I'll just begin with what I can remember and not concern myself with order.
You could make the most beautiful film, and that weekend it's raining too hard on the East Coast, and no one goes out. Artists should have a chance to do it again. That's the challenge: Women artists don't get a second chance. People-of-color artists don't get a second chance. You're put in director's jail, and that's a wrap.
When I first started blogging, it was about getting out new music and capturing artists working in the studio. This was before artists were so social. They weren't so hands-on then.
I want to be somebody, a person, first that people remember, but also, I want music that I release to still be around. I don't want it to just be cool for a second and be gone.
I've always been a firm believer that soul music never dies. The artists we still listen to today, years after their music was first heard are mostly soul artists; Donny Hathaway, Marvin Gaye, Chaka Khan. We still sing along to all of them with our hearts.
Without either the first or second amendment, we would have no liberty; the first allows us to find out what's happening, the second allows us to do something about it! The second will be taken away first, followed by the first and then the rest of our freedoms.
Artists make art for themselves. Art is an honest expression. Artists who pander to their fans by trying to make music "for" their fans make empty, transparent art. The true fan does not want you to make music for them, they want you to make music for you, because that's the whole reason they fell in love with you in the first place.
The first music I ever got into was the '80s alternative bands that my brother listened to, like The Cure and The Smiths and R.E.M. and Fugazi. I can remember specifically saying The Cure was my favorite band back in second grade.
The seeker after stillness should be told that the stillness is always there. Indeed it is in every man. But he has to learn, first, to let it in and, second, how to do so. The first beginning of this is to remember. The second is to recognize the inward pull. For the rest, the stillness itself will guide and lead him to itself.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
I remember my first time in the Champions League. I was 18, and it was Arsenal against Milan at The Emirates. The night before, I remember I put my music on my iPod. I was lying in bed, and I listened to the Champions League music. That was my Champions League debut, my first time. It was beautiful.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
Artists die twice. First creatively. Then physically. The second one is the easiest.
There are so many artists these days that are trying to imitate other artists and go for a certain style; there's a lot of bullshit in the music industry. I don't want to deviate from anything else other than the music, cause that's why I listen to my favorite records - not because I like the way the artists dress.
I'm just trying to be an example for all the young artists that are becoming artists every day and working on their craft and trying to help them avoid the pitfalls of the upper management in music and the non-music side of music.
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