A Quote by Toby Keith

You've got my heart in unfamiliar territory. It's never been out here on my sleeve. But here tonight with you it's quite a different story. You bring out a side of me no one has ever seen.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
Every fight brings out something different in me, and it will be no different in this one. I have learned and gained from all of those experiences. And as I've often said, the public hasn't seen the best of me yet. I need someone like Mayweather to bring that out of me.
The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
It's all about making an experience. You go to the movies to see something you've never seen before. You want to get different people out there with different voices. So you see awesome huge spectacle or just a small unbelievable story you've never seen before.
I certainly wear my heart on my sleeve, and I think that comes out in the characters that I play. There's a yearning, or something, that comes out of me that people relate to.
I've been around in WWE for quite a while now and before that had - even in Florida - I've been all around the world and seen every type of style in opponent; the way I was trained and stuff, I got a lot more tricks up my sleeve.
I've never been a bad person and always had quite good morals. There's always been a side of me that's been quite proper, but it's got distracted here and there. Now I'm the person I should be.
I always carry a notepad with me, even on vacation. If I'm on the computer when the story 'hits', I open a Word document and start typing until I get it all out. I've got tons of notes that I never throw out. You never know when a story will strike!
This is for all of you out there tonight, reaching for a dream - don't ever give up! Never ever listen to anyone, when they try to discourage you, because they do that, believe me!
You;re colling me, So i fugure you must not hate me anymore. dOES THIS MEAN YOU WANNA GO OUT? iI'm free tonight. I mean , I have plans, but i can break them. For you. Brandon, you kidnapped me. And then you made the only person I'll ever love in my life hate me. I completely despise you. So..., I take that as a no, you do not want to go out with me tonight.
When I was in N.W.A. and didn't get paid all the money I was owed, that's when the business side of showbiz hit me. I thought, "Half of this is workin'. I'm famous, but now I need to be famous with some money." That got my brain started at trying to figure out the business end. And once I figured out the business side, I next came to understand that success really comes down to the product, not to me, my personality, or what club I'm seen going into or coming out of. None of that matters.
I need to have proper equipment when I work out, and the Nike Frees are light, comfortable, and great for training. I also usually bring a short-sleeve or long-sleeve compression shirt and a pair of shorts.
It's the form it takes when it comes out the other side, of course, that gives a story something unique--its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it--a process as uncharted for the writer as if it had never been attempted before.
To the extent that I've ever understood postmodernism - and I'm sure there are people out there who do, but I'm not one of them - one of its distinguishing traits is the story's awareness of its own artifice, and how that awareness becomes part of the story. And if that's right, then I have no idea how I ever got lumped into postmodernism except that I believe, since I was first published, people just haven't quite known where else to put me.
It felt as if we'd been to war together. Deep in a jungle, alone, I had relied on them, these strangers. They'd held me up in ways only people could. When it was over, an ending never felt like an ending, only an exhausted draw, we went our separate ways. Be we were bonded forever by the history of it, the simple fact they'd seen the raw side of me and me of them, a side no one, not even closest friends or family had ever seen before, or probably ever would.
I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.
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