A Quote by Tod Goldberg

They [academy writing programs] have no concept that the world has changed, that publishing has changed, that filmmaking has changed, and if you're not constantly looking at your education model and adjusting for the change, you'll find yourself teaching antiquity. Like all of these programs that won't accept students who are writing genre fiction - what an institutional ego!
I'm not Pollyanna - I know that my personality and my opinions and how I approach the teaching of writing maybe isn't exactly how it's done traditionally in the academy...wherever that academy is...but, you know, the academy is broken as it relates to many creative writing programs.
One changed child eventually changes a family. A changed family will influence change in its church. Enough changed churches will transform a community. Changed communities change regions. Changed regions will in time change an entire nation.
Much of my work has come from being lazy. I didn't like writing programs, and so, when I was working on the IBM 701 (an early computer), writing programs for computing missile trajectories, I started work on a programming system to make it easier to write programs.
What I think people should realize is that programs like Social Security, programs like Medicare, programs like the Veterans Administration, programs like your local park and your local library - those are, if you like, socialist programs; they're run by [and] for the public, not to make money. I think in many ways we should expand that concept so that the American people can enjoy the same benefits that people all over the world are currently enjoying.
Technology has changed the way book publishing works, as it has changed everything else in the world of media.
I am particularly fond of the late President Nelson Mandela. His speeches and courage changed my life and how I see myself. Mandela changed minds, changed lives, and changed the world.
Writing is literally transformative. When we read, we are changed. When we write, we are changed. It's neurological. To me, this is a kind of magic.
My writing has changed a lot. From 16 to 19, I've changed a lot. My kind of writing in the beginning was very observational; now it's grown very personal for me. I use it as a diary in many ways.
I see social media mainly just talked about as if it has just changed us technologically and in terms of data. I think it has changed absolutely everything. It has changed truth, it has changed culture. It has certainly changed the way that we relate to each other and in a very short amount of time.
The Internet has changed how young people listen to music. Television programs like 'American Idol' changed how people listen to music. It was no longer the songwriters that we celebrated; it was the singers.
The world has changed profoundly since our programs were first established.
Every day, women and girls are finding incredible confidence and taking risks. When they change one mind, pretty soon, they have changed one tradition. That changed tradition has changed a village. That one village has changed a country. That new reality means new opportunities for themselves and their daughters.
Women's sexuality is something that is a very touchy subject for a lot of women...I had to free my body from all of the binding, all the shutting down, and all of the censorship I had already put on it. When I did that, everything in my life changed. My relationship with my husband changed. My relationship to the world changed. My relationship to my body changed. My relationship to my female friends changed in huge ways.
I get emails from students at programs all over the country who want to transfer to Iowa, and in most cases their frustrations have absolutely nothing to do with the programs they're attending. They have to do with the growing pains that they're undergoing as writers and with the growing pains that our own genre is constantly undergoing.
I don't watch my own past films: when I watch them, I find they don't work very well, because I have changed. If I continue to make films, in fact, it is because I always want to repair my films. My inner rhythm has changed; I have changed. I have changed my way to film.
There are many other writers whose work I admire tremendously, but none whose work struck me at just the right young age. Jack Vance taught me that speculative fiction, science fiction, could be wonderfully and liberatingly stylistic. It didn't have to be pulp stuff. He really changed my writing and my view of science fiction, so if nothing else, my little homage to him in the novelette I wrote for that anthology is my thank-you to him. He helped me see that any genre can have excellent writing in it.
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