A Quote by Todd Haynes
In a way, I think Roxy Music is high camp, in a brilliant way.
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I think this my last album - No Place For My Dream - truly is my best work. My fear now is, I don't know if I can do better than this in my lifetime, because technically, sound quality, composition, the melody is really high standard, it's very scary; the way it was recorded, the way I was focused. I think it is top of the music scene.
I hadn't seen that many movies that really go deep enough into the fears of playing music or the language that musicians can use to treat each other or, like, the way that you can see it dehumanize and the way that it can feel like boot camp.
Language is in the way. Music's in the way. Songs are in the way. Stuff's in the way. That's just our state here. And to acknowledge that we're broken and to even ... create tradition that helps us embrace that, and to understand that, I think is a very healthy, good thing.
I didn't know folk music growing up, no. It's something I've come to study, really, because I think there's so much to learn from traditional music in the sense of the way music began as a way of communication, the traveling storyteller, the bard, the minstrels.
My own teenage style was modelled on Barbara Hulanicki's Biba look, which was based around smart 1930s chic. Roxy Music crystallised that look and made it high fashion. You felt that they were living the dream.
Roxy, stop being so obnoxious!" -Joy "I'm never obnoxious; I'm just concerned." -Roxy
I think the way I can sing the way I sing is because of the way I talk to my animals. I hit some really high notes.
I guess, people like myself and Roxy Music that had a different agenda about taking up music.
Words and music equally important. But the way to get what I'm looking for is different in each case. I have something specific I'm hoping for with the words and the music, and the way to get the words the way I like them is to take a long time, and the way to get the music I like it is to not let me or anyone else get in the way of it.
To every man there openeth a way, and ways, and a way. And the high soul climbs the high way, and the low soul gropes the low. And in between, on the misty flats, the rest drift to and fro. But to every man there openeth a high way and a low, and every man decideth the way his soul shall go.
I think that sometimes almost the bigger tragedy in a weird way is all of the future imagined creative projects that could have happened that didn't. I feel the same way about lots of brilliant people who die young, kind of senselessly especially.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument. When you think about the fact that the instrument has changed significantly since he wrote for it and his music still really works, it's brilliant. He was definitely ahead of his time. There's something so satisfying about his music. It's beautifully organized and emotional at the same time. I find it highly exciting.
One of the first roles I had on stage was with a brilliant director in a brilliant play with a brilliant cast, but I just couldn't find my way into the heart of the character. I found myself straining a lot. When it started. I felt lost. That was the Eugène Ionesco play Rhinoceros. I don't think I was prepared for that. I don't think I had the full tool kit to do it justice. It's a very difficult play, it's an extraordinarily difficult part, and I never felt I really got it right. Far from it. To a degree, Hamlet was the same.
I can't think of any musician or producer who has influenced me more than Brian Eno. From when he was in Roxy Music, producing Devo, the Talking Heads and My Life in the Bush of Ghosts.
In a way, it's my way of dealing with, finding closure with Grateful Dead music, and giving thanks in a way to Jerry and Bob and all the guys in the band for making up this wonderful music.
Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.
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