A Quote by Todd Haynes

Making a movie about the love between two women was really a tribute to the lesbian people in my life, my dear friends who are seminal in my life. — © Todd Haynes
Making a movie about the love between two women was really a tribute to the lesbian people in my life, my dear friends who are seminal in my life.
I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
That story about the two women in my life is - a lot of people get upset, a lot of people question it. Steven Soderbergh said to me, "The story of your life is incredible. The real story of your life that's interesting, more interesting than all the other stuff - the franchises, the movies, the songs, Elvis Presley, Frank Sinatra - the real thing that's interesting and unbelievable is the relationship with these two women. And if you're willing to put that out there, you know then, you're going to have a great movie. Because that's the movie."
I've worked really hard. I've made three pieces of seminal art in my life. If I died tomorrow, I'd be remembered for making them. There are a lot of artists who, no matter how hard they work in their lives, will never make anything seminal.
I like how people will post pictures of me with other women that I adore, hugging on red carpets, and say, 'See?' Are we so uncomfortable with love between two people of the same gender that we immediately label it as sexual? But I've never been bothered by the lesbian rumor. There's nothing offensive about it, so there's no reason to be offended.
The world doesn't go around on love between men and women. Lovers get very little done. But friends do. When you are past middle life - and I hope you have the rich experience of love along the way - don't think everything is all over. Don't regret the vanished cocktail when the stuffed turkey is about to come in. Flip out your napkin and bite into it! Friends you can gather around you in the later years of life are worth the whole thing.
The first movie I literally ever made in my life was about two guys playing Stratego with each other. I had all my friends dressing up like the military characters in the game. So 'Battleship' is really my second board game turned movie!
It's hard making a movie because it's like... you lose your life. I mean, really, I like being alive; I like having friends, going out, watching other people's movies, and all these things I can't do for a year while I make a movie.
Women who love women are Lesbians. Men, because they can only think of women in sexual terms, define Lesbian as sex between women.
So the difference between most books about love and Love For No Reason is that traditional love books focus on love as a stream of energy between two people, whereas this book focuses on love as a deep state of being that you can live in no matter what's going on in your life.
You really can't say enough about 'Blade Runner.' For that movie to have such a long life - you can't describe what a beautiful feeling that is. Initially, the movie was out of theaters in something like two weeks. But the people that wanted it back - the fans - they really saved it.
I don't really have any women in my life, actually those two - the women in my life are two married women who work at my office.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
I have wasted the greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox, which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. It's about two percent moviemaking and ninety-eight percent hustling. It's no way to spend a life.
I think that people find that's a fresh look at a relationship between two best friends, between two soul mates, that people haven't really seen in this particular way. So that's definitely something that people are noticing.
I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that.
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