A Quote by Todd Haynes
With 'Poison,' I'm sure some people just hated the movie, but it also got caught up into a debate about arts funding because it was a film that received a National Endowment for the Arts Public Grant, and it won the prize at the Sundance Film Festival.
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There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
In '89, I got a grant from the National Endowment for the Arts. That's when I started to get into group shows. Suddenly, I sort of 'came out' as an artist.
This funding from the National Endowment for the Arts has been like the Good Housekeeping seal of approval.
I switched up so that I could work 12-hour shifts at the firm on the weekends so I could have days free to paint. But it was almost like I had a secret life, because I wasn't showing any of my work. It was just in my house. In '89, I got a grant from the National Endowment for the Arts. That's when I started to get into group shows. Suddenly I sort of "came out" as an artist.
What liberals mean by 'goose-stepping' or 'ethnic cleansing' is generally something along the lines of 'eliminating taxpayer funding for the National Endowment for the Arts.' But they can't say that, or people would realize they're crazy.
I play the guitar. This year at the Sundance film festival, I joined the band from 'The Guitar' on stage. We warmed up for Patti Smith, and then the director Michel Gondry got on the drums to play some songs from the soundtrack to his film Be Kind Rewind with Mos Def. It was pretty mad.
The people who fund the arts, provide the arts, and research the arts have all produced a consensus about the value of what they do, which hardly anyone challenges. But do the numbers add up? For all the claims made about the arts, how accurate are they?
All the arts are predominantly national, and therefore the Australian Film Commission should be funding us. The battle gets more and more vicious each year.
Cheryl [Hines] and I sat through two screenings at the Sundance Film Festival and during the second one, we said to each other: "You know, we don't have to get sad about this. Let's try to enjoy this. Let's just watch it. It's a happy movie [Waitress]."
In my mind, martial arts movies are martial arts movies and action is action. It's quite different, because martial arts doesn't just have physical form; you have a philosophy, internal and external. A lot of it involves your life. How you see the world. An action film I think is just about the movement. I think it's different.
A lot of people don't realize, when you are acting in a martial arts film, you're not just performing martial arts. You're not just performing martial arts. You're actually acting as much as any other actor.
I did martial arts since I was 10 years old, and I've got as much love for the movies as I have for martial arts, so when I was 18 years old, I started studying performing arts with the eye of getting into the film industry and went to drama school after that.
I saw 'Birth' at the Sundance Film Festival with a thousand other strangers, and I couldn't believe that was me in the film. I didn't recognize myself.
I am so happy because I want more people to like martial arts movie not just martial arts audience. Even martial arts can be used in comedy, in drama, in horror movies, in different kinds of movies.
People have had certain assumptions in the past about Conservative governments, partly because of some of the things that happened in the 1980s, and partly because of the tone of some of the debate in the 1980s that appeared to say public spending on the arts was something you might want to progressively reduce.
People have had certain assumptions in the past about Conservative governments, partly because of some of the things that happened in the 1980s, and partly because of the tone of some of the debate in the 1980s that appeared to say public spending on the arts was something you might want to progressively reduce.
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