A Quote by Todd Haynes
At HBO, you've just basically got a studio full of artistically driven smart guys and women who really care about the quality first and foremost.
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What's great about HBO is they just care about quality. They care about the brand. They're not worried about ratings; obviously they want people to buy subscriptions, but they just want people to be into what's on HBO.
I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.
We know that babies develop as well in nonmaternal as in maternal care, as long as the care is of good quality. The issue is not who gives the care but the quality of that care,... The guilt trip is, in my view, a hangover of another era and of unacknowledged tactics to keep women in their proper place--at home full-time.
There was a dance that everyone was doing that was heavily skewed with the power in one direction, but the dance was basically working, and then the dance got really disrupted with the first wave of feminism, and nobody found their footing yet - not the guys, not the women.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
My feeling is that I don't really care about the genre or the size of the movie. I care about the quality of the writing and the quality of the characters.
I don't really care about audio quality. If people saw some of the ways that I record stuff, they'd see I don't care in that respect. I obviously care about things sounding good, but I think quality exists through other things like emotionally connecting with a lyric or a feeling, or whatever.
We were really fortunate to work [on Pineapple Express] with a studio that was really supportive of these guys. It was before Superbad and Knocked Up had even come out, but everyone just felt really great about them and the energy surrounding Seth [Rogen] and Evan [Goldberg] and Judd [Apatow] - all of these guys - and the idea of getting Franco back into comedy as well.
Women still routinely get passed over when everyone sits around the table and says, "What's our list of 10, 20, 30 directors that we wanna put at the top of our list for this project?" You need more people who are either women who care about this issue or men who care about this issue, who are sitting in this room and saying, "Guys, where are the women? We need to be going out to women." And particularly in the projects that really could use a fresh feminine perspective, whatever that ultimately means.
You always have to remember to take care of yourself first and foremost, because when you stop taking care of yourself you get out of balance and you really forget how to take care of others.
Biologically and temperamentally... women were made to be concerned firt and foremost with child care, husband care and home care.
Supported by digital data, new data-driven tools, and payment policies that reward improving the quality and value of care, doctors, hospitals, patients, and entrepreneurs across the nation are demonstrating that smarter, better, more accessible, and more proactive care is the best way to improve quality and control health care costs.
When 'Sex and the City' aired its first season, people didn't know about HBO as a place for original series. People weren't saying, 'Oh I've got to watch 'Sex and the City'!' They found it later. In some ways, it helped change what people thought of HBO.
I actually prefer teammates that have emotions. It means you care, compared to a guy that's kind of just nonchalant and goes about it like it doesn't matter. So I want guys that care. I want guys that show they care.
Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.
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