A Quote by Todd Haynes
I felt I would have the most creative freedom making experimental films and teaching, as I had many good examples of people around me who did just that.
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I figured I would be teaching my whole life and making experimental films on the side.
I feel incredibly lucky to have grown up with creative parents and around creative people, many of whom live with anxiety. My mum would sometimes say that it was a beautiful thing, and that it would come in handy when making music - and it's made me a more empathetic person.
When I think, where did I laugh the most, where did I eat the most, where did I just feel good all the time, I would say making the Bond movie 'Die Another Day.' To be part of such an iconic franchise and to travel to exotic places - that was the most fun I ever had.
I think I had more freedom when I began making films. I did not know what could not be done. I was naive. I did what I wanted to. As you gain awareness, you start losing freedom.
If I had it my way, I would have just kept it short forever. Of course, men like long hair. There's no two ways about it. The majority of the boys around me were like, 'Why did you do that? That's such an error.' And I was like, 'Well, honestly, I don't really care what you think!' I've never felt so confident as I did with short hair - I felt really good in my own skin.
I love making films, and as long as I love the subject, I just have a crazy amount of passion and energy for the project. The project that influenced me the most is this cooking show I do online. I film it all myself, and I think making so many of those gave me the confidence that all I need is a camera, and I could go and do an interview. The freedom to be a filmmaker - you just need a camera.
I would just like say to you with all my heart is that most everybody I know who does interesting creative work, they went through a phase of years where they had really good taste and they could tell what they were making wasn’t as good as they wanted it to be.
When I got my MacBook, I started playing around with Garageband a lot. It was just a creative outlet. I put everything into it. I would skip all my classes just to be making my songs. Stuff like that made me feel good.
When people around me were signing films, I would wonder why nothing good came my way. See, I wasn't desperate to do films, but I was desperate to do good films.
My parents preached so much about Christianity and my mother thinks Jesus is the best thing that ever happened to the world - which he is - and God found a way of making examples for me. Like, just growing up, bullets would hit my partner but not me and I'd be right there. Or my Dad had a thing where he would make me play for the sorry team during football and make me go up against all my friends. It built a certain kind of character and a humble factor into me because I knew I had to work for it. And then to be able to beat them or be just as successful at so many things.
I became really creative around the time I started understanding that people could be creative with music and that that was allowed. I stated taking piano lessons at age five, but I never did what my piano teacher told me to do. I would just do whatever I wanted.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
I went through a political shift when I was nineteen or twenty. I felt a certain way, and after the shift, I felt the opposite way. And never once did someone yelling at me or making me feel stupid do anything other than reinforce the convictions I had. What did get to me was people listening to me.
It's frustrating when people get upset with me about not going out to DVD - the reason is that I plan to tour with the films for many, many years, not just a month or a week. Literally years. And as soon as I would put it out on DVD, it would ruin the financial possibilities of me making it a theatrical event. Whereas the book, the publishing of a screenplay, would not cause that problem.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
Whatever experimental film aromas cloaked my movies were because I'm a gleefully clumsy, primitive filmmaker. I really like traditional pleasingly narrative films, but I also just couldn't resist throwing in the disruptive. It seems to me that art-house film is at its glorious zenith right now, maybe it can even get better? There's just so many good films, you know Cemetery Of Splendour, Arabian Nights, Miguel Gomes, just so much great work coming out.
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