Reality television hasn't killed documentaries, because there are so many great documentaries still being made, but it certainly has changed the landscape.
Reality television hasn't killed documentaries, because there are so many great documentaries still being made, but it certainly has changed the landscape. There is this breed of gimmicky documentary that is basically a reality show.
I'm fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
I started in documentaries. I started alone with a camera. Alone. Totally alone. Shooting, editing short documentaries for a French-Canadian part of CBC. So to deal with the camera alone, to approach reality alone, meant so much. I made a few dozen small documentaries, and that was the birth of a way to approach reality with a camera.
One day I decided to move towards documentaries or to move to more directing in documentaries at this point in my career. Why documentaries? I also love fiction. I would love to direct a fiction movie as well. But I think where I come from, reality is so interesting and has in it so many good stories to tell, this is why I'm doing that. I'm enjoying that.
I started in documentaries, and that was a great help to me with improvisation, because with documentaries, you're handed a big lump of footage, and you have to shape it and make it into a story - which I love doing.
The luxury that I have is I'm not career-minded, I just live from one film to the next. For a time, I was making documentaries, and all my documentaries were winning awards and stuff, and then I lost interest in documentaries.
Too many documentaries are intellectual exercises. I want documentaries to be alive.
I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.
When I go to the DVD shop, I mostly buy documentaries because you learn a lot from documentaries.
The documentaries I made were never normal documentaries. They were about subjects I was obsessed with, and I suppose I thought I could sculpt them. What I think I do with my fiction is the same.
I hope that not only my documentaries, but everybody's documentaries, last. It will really confuse historians in the next century, because they'll have, in addition to all the print material, they'll have all these pictures to look at.
I love the idea of documentaries. I love seeing documentaries, and I love making them. Documentaries are incredibly easy to shoot. The ease with which you can hear something's going on, somebody's going to be somewhere: That sounds so interesting. Pick up your camera and go.
You make documentaries because you love doing it; it's the only sane reason to make documentaries.
I've made many documentaries, but prostitution was the hardest in terms of gaining the trust of the people being filmed.
There's no other way to learn about it, except through documentaries. I encourage documentarians to continue telling stories about World War II. I think documentaries are the greatest way to educate an entire generation that doesn't often look back to learn anything about the history that provided a safe haven for so many of us today. Documentaries are the first line of education, and the second line of education is dramatization, such as The Pacific.
One of the differences between real documentaries and reality television, besides the artificial construct of reality television, is that the people who are recruited to be on those shows, and the people who are interested in going on those shows, basically want to be famous. Or maybe they can win a million dollars or something.