A Quote by Todd Phillips

It's all about escapism. That's essentially what all movies are about. It's a vicarious thrill. — © Todd Phillips
It's all about escapism. That's essentially what all movies are about. It's a vicarious thrill.
Every single bit of entertainment is escapism. It's because you are saying, "Let's see what this other person's life is like." And also it's beyond escapism, its entertainment and art as such can elevate the species. The entertainer supposedly is the muse. They're the ones who tell you what is wrong with society in a humorous way. They're the ones who do an expose about this or a documentary about that about the injustice of this. So it can be a very powerful medium.
People talk about escapism as though it's something nasty but escapism is wonderful!
All the movies I've made are essentially character-driven movies about people that I'm interested in.
I'm such a Goody Two-shoes, but I get a vicarious thrill at someone sticking it to the Man.
I'm passionate about fantasy movies. I'm passionate about comic book movies. I'm passionate about superheroes. And movies about vengeance. And all of that - the stuff that I grew up reading.
Vicarious living is only slightly less impossible than vicarious eating.
Hardly anyone today thinks about sex. We joke about it, dream about it, watch movies about it, listen to music about it, lust about it. But we don't ever really think about it.
I think its important for movies to recognize that they are part of a history of movies. I also think that most movies are about movies anyway, even if they're about something else.
Economics drive the creative, and for a long time, movies about men were just considered 'movies,' whereas movies about women were considered niche and only appealing to women. This is to an extent still true, and what it does is represent movies about women as less profitable.
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
I just remember saying to myself that I'd much rather do movies than modeling, and that it was worth a try. I didn't really know anything about it. I hadn't seen many movies, or so-called, good movies. When I was a kid, I was obsessed with Star Wars and Night of the Living Dead. When I got more curious about the movies, I thought they were something you had to learn about and go to school for and read every book.
I think we simply all like to project ourselves into somebody else - somebody who is better-looking, richer, smarter. It's comforting. It's escapism, and that, of course, is what the movies are supposed to be all about. Ultimately, I think it's just part of human nature to pretend.
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
I always felt that's why people buy records anyhow is because they get that vicarious excitement and thrill that they don't get unless they buy your record.
The greatest thrill is that moment when a thousand people are sitting in the dark, looking at the same scene, and they are all apprehending something that has not been spoken. That's the thrill of it, the miracle - that's what holds us to movies forever. It's what we wish we could do in real life.
The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.
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