A Quote by Todd Phillips

Well, it's so cheesy to say but you can't find a comedy director who makes movies for critics. When a movie does $580 million worldwide, I'm not saying that proves anything except people were enjoying the experience.
I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
The size of budgets does not alter my decision if I should do it. If there's a movie with a budget of only $1 million that I find interesting, then I'll sign up, but it has to be in the hands of a director who can do something with it. Ultimately, it's a director's medium.
When we talk about Oscars, it's almost as a symbol of excellence, and the American public and the worldwide public accept that symbol. So, a movie like 'The Artist' that costs $14 million, has to go out and compete with movies that cost $140 million. How does David deal with Goliath?
It does feel like the middle ground has fallen out. I'm only saying that from personal experience, saying, "I'd like to make that movie" and hearing, "Oh, they're not making those types of movies anymore."
How do I let the director know how obsessed I am and willing to do anything for the movie? Like, I wanted to write this one director a letter, so I wrote him a handwritten note. But then I was like, 'How many people are writing this guy handwritten letters? Is it going to seem cheesy? What do I do?'
What's interesting as a director, and even studio executives don't understand this, is that if you're directing a $200 million movie with six million people, it's the same as directing a $25,000 movie with three people. The director's job is, "You stand there and do that," or "This is the shot I want." The logistics change, but the job remains the same. And I enjoy the job.
Movies are a director's medium, and they end up getting less credit than actors. They get the flak if the movie doesn't do well, and the actor walks away with most of the credit if the film does well.
I think the biggest challenge was being aware of a certain audience that was going to see this film [lone survivor]. There's a big difference from a typical movie, journalists and critics and film goers that go see it find that, that's the general experience you have as a filmmaker. So that just kind of proves my point that there's a really different audience.
A great horror film works as a communal experience more than almost anything else, except for maybe a comedy. That's something that I've experienced, just taking this movie around and watching it with audiences.
I'd love to get into some comedy, but people keep saying, 'You're not funny!' And I say, 'Well, fair enough.' I have done comedy on stage.
People always ask me if I hate the nuns. Do I make my movies extra dirty to piss them off? I always say no, that's not the point. To a Catholic, a movie is only dirty if it makes you want to have sex more. If it makes you feel sick, disgusted, ashamed of your own body, then it's not a dirty movie at all. It's a Catholic movie. And I make very Catholic movies.
If you were my agent and I was making $10 million a movie and made four movies a year, that means you have a salary of $4 million.
Most people who've had a big hit movie like 'Paranormal Activity,' the next thing they say is, 'I want to make a $100 million movie.' I have no interest in making more expensive movies.
When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.
Just because there are celebrities in a movie, it doesn't mean anything. I don't think The Ant Bully did all that well the first week at the box office. Compare the movies that have a lot of celebrities with the Jimmy Neutron movie, which had no celebrity voices and grossed almost one hundred million dollars.
The thing with film is that it's so wide-reaching compared to comedy. When I release my comedy special, half a million people will see it. If I release a movie, five to ten million people will see it.
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