A Quote by Tom Baker
I never read the scripts at all carefully and never wanted to know what was going on, because i felt that being a benevolent alien, that's the way it should be.
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I never examined what I did in any great detail because I thought it would spoil things. I never read the scripts at all carefully, and never wanted to know what was going on, because I felt that being a benevolent alien that's the way it should be.
I read a ton of scripts. I read a lot of scripts, and you read one, and first of all, you felt like you read it in 14 minutes, because you're turning the pages so fast you can't wait to see what's going to happen.
I'm never going to stop because I had a bad game. I'm never going to stop because somebody thinks that I can't do something. I'm going to always play the way I feel I should play, because I wouldn't have got to here if I felt like I couldn't.
On TV, you never know where it's going. They may even lie to you about where it's going. You never really know because the scripts come in every couple of weeks or so.
I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don't think I ever felt young again in that way. I never felt I had my 15, 16, 17 kind of years the way I maybe should have. It's a huge dent in you that it's hard to knock out and make it all smooth again.
I mean, I had probably an illusion of being the wife that, you know, I wanted to create a home. I wanted to have children. I wanted him to be a husband. It was never going to be that way. It couldn't be that way.
I never felt like a boy or a girl, never felt I should wear this or dress like that. I think that's where that confidence comes from because I never felt I had to play a part in my life. I just always come as Shamir.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
I felt like an alien. I always felt like I never belonged to any group that I wanted to belong to.
I dreamed of recording a guitar album since I started playing, but I just never felt ready. I never felt like I was the player that I wanted to be. But I had this epiphany: you're never going to feel ready.
I felt, if I never did anything in my life but read scripts and synopsize them, I would be happy.
I wanted to be seen as a good person, and never wanted to let people down, but I found it hard to handle the fame or adulation. I didn't feel worthy of it. I was ashamed by who I thought I was because I felt partly responsible [for the abuse] and I was never able to enjoy the stuff I should have been able to enjoy. My first thought when I won the Tour was: 'My God, I'm going to be famous', and then I thought, 'He's going to call'. I was always waiting for that phone call. I lived in fear that anyone would ever find out.
When I was playing football I never enjoyed it that much, I was never happy. If I scored two goals, I wanted a third, I always wanted more. Now it's all over I can look back with satisfaction, but I never felt that way when I was playing.
I've never been truly closeted on the air; it's just something I never really made a big deal out of because I never felt like I wanted to push an agenda or push it any further than I felt comfortable with.
He who doesn't know how to be a servant should never be allowed to be a master; the interests of public life are alien to anyone who is unable to enjoy others' successes, and such a person should never be entrusted with public affairs.
Because I was a chemistry student and was never supposed to be a musician, I always felt like I was an outsider looking at music going "Why is this interesting to me? Why should I be doing this?" and I never felt like I was a natural musician. It came into my life, kind of, as a conceptual problem and I think all my pieces are, in a way, looking at some issue and sometimes veering toward an inside baseball model of classical music.
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