A Quote by Tom Burke
My dad was part of that generation with Albert Finney and Tom Courtenay, of working-class actors breaking through. They'd never had an actor in the family.
Related Quotes
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
When my father was a young actor, it is absolutely true that the vast majority were fairly middle class. Then all of a sudden, people like Albert Finney burst through and turned all that on its head.
I think the first British actor who really worked well in cinema was Albert Finney. He was a back-street Marlon Brando. He brought a great wittiness and power to the screen. The best actor we've had.
Tom [Courtenay] and Albert Finney met Ron Harwood on the dresser, so that's how it started. It's a wonderful documentary. It's called Tosca's Kiss and Mr Hardwood told me about it when I asked him what the genesis was. It was made in 1983 and Verdi, who was rich and successful, toward the end of his life decided to build a mansion for himself in Milan, where he lived, and he stipulated that when he died opera singers and musicians - because he knew so many who were no longer playing at the Scala and some were poor - could live there.
I Googled every actor from my favorite film 'Annie.' Albert Finney was also from Manchester and he went to the Royal Academy of Dramatic Art - so I auditioned there, too.
So, they had this 40-odd year friendship with each other and with Mr Harwood. So, when I came on it Albert, Tom and Maggie were in the cast. But then Albert wasn't up for it, so he had to withdraw.
Basically, my mum and dad bought me a CD player for my 14th birthday. They didn't really listen to music at all, but my dad had a couple of tapes that he'd listen to, like Tom Lehrer. My dad was a physicist and Tom Lehrer was like this really weird Harvard class professor, who was really cool because he was also a satirist and pianist.
I came from a working-class family. My dad was in a union. I never forgot what it was like to be a private.
As a working-class actor, leaving school with no qualifications, being a printer and then becoming an actor and then working with people who to a certain extent had had a leg up. I never had that advantage. It's less an artistic need to express myself and more a need to prove myself.
Certainly in my generation, there aren't enough actors from a working-class background.
I'd do anything with Tom Courtenay.
Even when I was an actor in training, one criticism my teachers had was that I should think about directing instead of acting because the best actors see the material they’re working on through blinders. They can’t see anything but their role. I could never really do that.
Even when I was an actor in training, one criticism my teachers had was that I should think about directing instead of acting, because the best actors see the material they're working on through blinders. They can't see anything but their role. I could never really do that.
I've never been aware of the difference between so-called posh actors and working-class actors.
It is only the working class at the head of the masses, it is only the working class headed by its real Marxist-Leninist party, it is only the working class through armed revolution, through violence, that can and must bury the traitorous revisionists.
She didn't hide her relationship with Albert Finney. I can't imagine two people who were better suited, but thank God it didn't work out, or she and I would never have met.
