We're always in the middle of two energies. Gravity is sinking you down; inspiration is pulling you up.
The rewriting is always crucial to what I do; whenever I do a scene, I always tell myself that this isn't final and that I can do it again, better. The pacing is probably from experience. I've always liked gradual disclosure. I keep thinking of my rubber-band theory. You have a rubber band that you keep pulling and pulling and pulling, and just at the moment of snapping you release it and start another chapter and start pulling again.
I have an office at my house, so when I go home I am always pulling inspiration and putting ideas together.
I have no life! People always ask me, "What time do you check in and out?" But, the truth is, you never really check out. I have an office at my house, so when I go home I am always pulling inspiration and putting ideas together.
There's so many things to explore in life, and if you don't have that inspiration or motivation to do it, then don't force yourself. Take that time to do whatever else you need to do. That inspiration or motivation will always come back and when it does, it's always stronger.
I want to be an inspiration to lots and lots of children.
If something inspires you, try and hold on to that inspiration because if you lose that inspiration, what do you have left? If music is your inspiration and it brings you together with friends, family or loved ones and that's the core of it, then always have it. Always draw from it.
I think people have to sharpen their eyes and look. I always feel like a big sponge: I feel like I learn lots of things by osmosis, and I feel that I'm always absorbing. I mean, when people say, 'What is your inspiration?' I could throw up. I mean, I'm inspired by the fact I get up in the morning. And I'm still here.
There's lots of interesting stuff happening in the world. Lots of good and bad things, and there's interest in music still, which there always will be, which is always a good thing.
India is a culture in which religious life and spirituality is very much on the surface of things. That doesn't mean it doesn't have depth, but it is very visible. There are lots of temples, lots of Islamic centers, lots of gurdwaras, and lots of teachers.
It's more like there are some really obvious things that are different and then lots and lots of smaller things, lots of things about who lives and who dies, civilizations that rose and fell, all the way down to individual characters. That becomes the state of where you left your galaxy. The endings have a lot more sophistication and variety in them.
I didn't come to Nashville to put on a cowboy hat and pretend to be a country singer. My attraction to Nashville as Music City is the variety and flexibility: the fact that there's so many musicians at your disposal, so many amazing studios and talented people that you can draw from. ... I try to be myself, but at the same time I'm learning a lot, and I'm pulling from not only from the well of inspiration that I'm getting from Nashville, but I'm pulling from my roots.
I do lots - I've always felt that the idea when you're on your deathbed is, you know, to do lots of different - to say that you've done lots of different interesting things not, you know, how expensive a lining you can get for your coffin, you know.
There are lots of things to do. Lots of movies to catch. Lots of places to visit... I try to bring in every real life experience into my acting.
I'm definitely influenced by lots of different things - from music, from reading, from I don't know... I have a lot of different sources of inspiration that I tap into when I need to get something done.
Inspiration is never genuine if it is known as inspiration at the time. True inspiration always steals on a person; its importance not being fully recognized for some time.