A Quote by Tom Ford
The thing about eyewear is that it is so potent, There are very few accessories that, if you were not wearing anything, if you put on they would date you to a whole era. You could look the Thirties, the Fifties, and the Nineties just by your eyewear. It's like a pair of shoes because it is sculptural. It exists without a face. It tells a lot about where you are architecturally or aesthetically in a particular period in time.
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What I like about eyewear is that it can work with a lot of different looks. You can wear it with a Balenciaga dress, or something that is straight and very quirky.
I always say to people, the Eighties were so inventive because people wanted to stand out. By the time we got to the Nineties, everyone wanted to fit in. It was all about having the same pair of trainers and the same pair of jeans. That's fatal. Whereas the Eighties you would never be seen in the same pair of jeans that somebody else was wearing.
The fifties were pretty rebellious, a pretty rebellious period, around that time. And it was preceding the whole zoot suit thing which I think really contributed to a lot of anxiety, to a lot of frustration, a lot of blaming. And it just like boom, it was very destructive for us as a people, that right away put us on like we had to defend ourselves on every level, every moment. We seemed like we always had to be on guard.
I've always been attracted to unusual eyewear. I thought glasses were an interesting accessory, depending on the shape of your face. People would always ask me, "Why are your frames so large?" And I would say, "The bigger to see you!" And that shut them up.
I would wake up every day, and put on a pair of shoes, never thinking about what it would be like to go without. After seeing people walking the streets of Phoenix, without anything on their feet, I knew I had to do something to help.
We've been seeing a lot of brides buying two dresses for their wedding, especially in America, and a lot of brides are talking about changing shoes halfway through. It is a very long day to be wearing one pair of shoes, however comfortable they are. It is about marrying that combination of style and comfort together.
She had heard it said that, before you could understand anybody, you needed to walk a mile in their shoes, which did not make a whole lot of sense, because probably AFTER you had walked a mile in their shoes, you would understand that they were chasing you and accusing you of the theft of a pair of shoes--although, of course, you could probably outrun them, owing to their lack of footwear.
Settling into a new country is like getting used to a new pair of shoes. At first they pinch a little, but you like the way they look, so you carry on. The longer you have them, the more comfortable they become. Until one day without realizing it you reach a glorious plateau. Wearing those shoes is like wearing no shoes at all. The more scuffed they get, the more you love them and the more you can't imagine life without them.
Look, this isn’t The Mummy. It’s not like a teenaged girl’s diary could resurrect the dead or anything. It’s just the story of her innocuous life. What on earth could an ancient girl have known that would be worth killing someone over? (Tory) You’re asking me that question? People kill each other over a pair of shoes or for wearing the same jacket. (Acheron)
To me, eyewear goes way beyond being a prescription. It's like makeup. It's the most incredible accessory. The shape of a frame or the color of lenses can change your whole appearance.
I'm now in my mid-thirties, so I look in the mirror and my face is changing, and I have a different relationship all of a sudden with myself. Your face changes, things change - that's just kind of what happens. It's hard, though, in this industry, because I think so much importance is put on how you look, and I'm not brave enough to be like, "You know what? I'm just going to let it happen. Whatever. I'm so cool with every line on my face."
I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.
It would have been so awesome to be born in the Thirties and be in your prime in the Fifties. Except for the whole being black thing, obviously!
I think George just nailed the whole thing, the whole time period, the whole look and feel of what that newsroom was like. I did a lot of research for the role and believe me, it's all pretty genuine, down to the very last cigarette butt.
Learning how to shine a pair of shoes to me was like if you could do, you were like you were on your way to having abilities and skills as to be able to spit-shine a pair of shoes like they're patent leather. You're a bad dude. To spit-shine a pair of shoes. So, even to that small detail, that aided me and assisted me in becoming the artist that I am. My uncles' sense of style, their type of ties they used. The way they wore their suits, big and huge and baggy. The way they did their haircuts with the side burns. All of that.
Early thirties for women is a very intense time. If you want kids, and you're not in a relationship, there's an urgency there, so they're forced to mature quicker. It's easy for a man in his thirties to be immature - you can have kids into your fifties, whereas women just can't.
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