A Quote by Tom Hooper

A lot of dramas get a bad name commercially because they are unremittingly bleak. — © Tom Hooper
A lot of dramas get a bad name commercially because they are unremittingly bleak.
I've had enough of the bleak headlines and divisive politics, dark TV dramas and hate-filled social media. I'm embracing a new movement with a slightly ridiculous name and a single mission, to make the world a better place. It's called 'hopepunk'.
Oh, I love period dramas, especially period dramas starring Colin Firth. I'm like Bridget Jones if she were actually fat." "Oh... Colin Firth. He should only do period dramas. And period dramas should only star Colin Firth. (One-star upgrade for Colin Firth. Two stars for Colin Firth in a waistcoat.) "Keep typing his name, even his name is handsome.
I'm happy to say that I have not been fired off a film. The score is usually the last thing to be done. So a lot lands on the scores shoulders. A lot of problems that seem to have nothing to do with the music gets blamed on the music , because it's relatively cheap to change, where as a reshoot etc is not. Music is often expected to help or fix bad cuts, bad acting, bad filming, bad timing, you name it.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
Because of the shape of my eyes, I can wear a lot of make-up. I can do a smoky look in the evening, but in the day I wear a lot less. Most women don't deal with lip pencils - they have been given a bad name, but are essential, especially as we get older.
A lot of times the movies I think are the funniest are dramas. I feel like dramas are so much funnier because they're actually capturing human beings. Humans are so weird and clumsy, and that, to me, often makes me laugh more.
It is really a sad state of affairs if I am still the only commercially successful woman director. We need a lot more commercially viable women, not only in direction.
Yes, it looks bleak. But you are still alive now. You are alive with all the others, in this present moment. And because the truth is speaking in the work, it unlocks the heart. And there’s such a feeling and experience of adventure. It’s like a trumpet call to a great adventure. In all great adventures there comes a time when the little band of heroes feels totally outnumbered and bleak, like Frodo in Lord of the Rings or Pilgrim in Pilgrim’s Progress. You learn to say ‘It looks bleak. Big deal, it looks bleak.’
I seen her in the subway, on my way to Brooklyn. "Hello, good lookin, is this seat tooken?" On the A Train, pickin at her brain, I couldn't get her number, I couldn't get her name. I said, "I still like your style and fashion, But I hate your hot sadiddy attitude wit a passion. Is it because brothers like to hawk a lot? Is it because your sign don't talk a lot?" She turned away, no play, I said, "OK, You don't really look good, I hope you have a bad day."
I'm proud of everything I've done. If it's comedy, it's 'cause I think it's funny. If it's a drama, it's impactful. I'm leaning towards dramas now because I wrapped a couple comedies in a row. I don't like watching myself, but it's easier on me when I don't have to carry a lot of the comedy. But I enjoy making comedies but dramas come more naturally.
Sometimes bleak is good. Sometimes bleak is necessary. Some part of life is always bleak.
I didn't become a commercially successful artist by design, and actually I think that commercially successful just means, if you analyse it, that a lot of people like you. It's become a dirty word, and I don't necessarily think it needs to be.
I have a lot of stuff that I never published because I always had a sense that novels were not finally going to be the way I made my living, because the form was dying commercially.
For dramas, I've become more careful because now there are specific works that you think of when you hear the name Song Hye-kyo.
It's not like I want to be Prince Charming when I do dramas. But I think I've always shown such an image because that's just the way Korean dramas work.
I like to create characters that are larger than life. But it's funny because I do a lot of bad guys, and it's because, being European, I usually get cast as bad guys. It's just how it is.
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