A Quote by Tom Hooper

If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament. — © Tom Hooper
If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
I think a setting is hugely important. I look at setting as a character with its own look, sound, history, quirks, goofy temperaments and moods.
The most charming of theories holds that someone other than Shakespeare wrote Shakespeare's plays -- that he was of too low a state, and of insufficient education. But where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated?
I am spellbound by the plays of Shakespeare. And I am spellbound by the second law of thermodynamics. The great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.
An extraordinary and controversial interpretation of Shakespeare's origins, which certainly provokes much thought. A radical analysis of Shakespeare's text, leading to a conclusion which is bound to amaze the reader and the scholar. Who was Shakespeare?
A brilliant treatment of the history of Purgatory in England and its survivals and echoes throughout Shakespeare's plays, above all Hamlet.
If you study the history of mankind, it seems to be a history of violence. Certainly the history of art, whether you look at paintings or movies or plays or whatever, is just a litany of murder and death.
It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.
I love the Shakespeare history plays, I love the struggle for the crown as a plot.
I love the Shakespeare history plays; I love the struggle for the crown as a plot.
Not Shakespeare. In college I took a Shakespeare class because I was an English major, and they had a Summer program called Shakespeare at Winedale, which is out in the German Hill country in Texas , where you go out and live for two months and then you perform three plays at the end of that time.
Looking for God-or Heaven-by exploring space is like reading or seeing all Shakespeare's plays in the hope that you will find Shakespeare as one of the characters.
If you are an atheist as I am, Shakespeare can be your ideal. Everything is within Shakespeare, especially in his 10 greatest plays. They have life, meaning, understanding, the whole lot.
I'd say our ability to supersize emotions are American-made special effects. In European countries, people mostly stay close to home and whatever rage there is simmers under the surface - it's what made the plays of Shakespeare and Harold Pinter so good.
Ip Man was an extraordinary man who lived during extraordinary times. He was born to a rich family when the country was still a monarchy and lived through various civil wars, revolutions, the Japanese invasion, and the establishment of the Republic.
Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
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