A Quote by Tom Hooper

I find that after a screening, people really want to come and tell you what they feel. — © Tom Hooper
I find that after a screening, people really want to come and tell you what they feel.
It is nice to be validated by audiences and have people come up to you after a screening and tell you that they loved the movie. It never gets old.
You always want to make the best film you can. If anything I feel more relaxed after the Oscar. I feel like I have a chance to just tell the stories I want to tell and it's actually been really nice.
I feel more relaxed after the Oscar. I feel like I have a chance to just tell the stories I want to tell, and it's actually been really nice.
Some people advocate public nomination and a three-track system - allowing voters and political parties to make nominations along with the committee. These people do not want any screening of candidates, but they have not clearly defined the concept of 'screening.'
The way people are responding to [Moonlight movie] is something we never anticipated. We knew it was good but it is so diverse. The way people are reacting shows me that everyone sees themselves in it. That is groundbreaking. Similarly people come up some older people that it is not their story but are just crying in our arms after a screening. They know what it was like to be bullied or struggled with their own identity trying to figure out who they are. It has really caught people's imaginations.
I've come to realize that the biggest problem anywhere in the world is that people's perceptions of reality are compulsively filtered through the screening mesh of what they want, and do not want, to be true.
I find the sort of unwitting European American outsider who wants to come to Africa to help is a very problematic construction. It's problematic because you don't want to tell people don't aid, don't help, when people feel a need to.
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
I learned that as a director, you're around all these talented people, so you have this window that all these really good ideas can come in to help your movie, so you're crazy to close them. You need to be inspiring people, engaging people. There are lots of people who are really good at their jobs but might not know or feel like they want to come up to people and get them to participate and want to do their best.
I always tell people that they are really the critics. If people come three times a week to your restaurant they are the ones who find something they really love.
You try to shut the criticism out, but it's pretty hard to do. You see people on the street, friends, people that you know are in your corner, and they come and tell you how bad they feel, and that's not the kind of conversation you want. I don't want anyone to feel bad for me.
I used to just let people tell me what to do. I didn't really have a mind of my own, and I couldn't really say yes or no to things because I didn't really know what I wanted, but now I feel really confident in the fact that I can really be distinctive on what I want and how I want to do things.
Sitting on a bedroom floor crying is something that makes you feel really alone. If someone's singing about that feeling, you feel bonded to that person. That's the only way I can find an explanation for why 55,000 people would want to come see me sing.
I really enjoy working with people who have come into this industry for what I think are really admirable reasons. People who really want to tell brilliant stories and do it in the most effective way possible.
I had one of those light bulb 'a ha' moments while screening 'Good Will Hunting' in Camp David in 1998 - Madeleine Albright and the Clintons were there, and I just became really inspired by all of these amazing people. I left the screening asking myself what I could do.
I get bored with things easily. I always have to change something to keep myself excited. When I feel like I did a really good classical and acoustic album, the next thing I want to do is the opposite. And then I want to do the opposite of that. When I work alone after that, I feel like I should work with a lot of people. When I work with a lot of people after that, I feel that I should work alone.
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