A Quote by Tom Wilkinson
I would recommend it to everybody, every now and again you just put a dress on, see what it feels like, because it's, its interesting. A whole complex series of thoughts and feelings assail you as you look at yourself.
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You have to look in the mirror and see yourself. If it feels good, then I know it's for me. I don't dress to be stared at, I dress for myself.
If a kiss could be seen I think it would look like a violet,' said Priscilla. Anne glowed. 'I'm so glad you spoke that thought, Priscilla, instead of just thinking it and keeping it to yourself. This world would be a much more interesting place…although it is very interesting, anyhow…if people spoke out their real thoughts.
I think if human beings had genuine courage, they'd wear their costumes every day of the year, not just on Halloween. Wouldn't life be more interesting that way? And now that I think about it, why the heck don't they? Who made the rule that everybody has to dress like sheep 364 days of the year? Think of all the people you'd meet if they were in costume every day. People would be so much easier to talk to - like talking to dogs.
The abstract music is just more interesting because it doesn't really have anything to say, but if it is good, it creates thoughts and feelings, and I enjoy that. For me, once the music creates those thoughts and feelings, I begin to write a song about it.
If I'm wearing jeans all day at work, it's [hard] to slip into a dress and make yourself feel like you were born in it. That sort of thing can really be the difference between a good look and a great look. You can have a great dress, but when you put it on and you feel like it's embodying who you are that day, that's not just fashion, that's style!
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
My dream customer is every celebrity that's on the red carpet, everybody at the Met Gala, and on top of that, just everybody and anybody. I would dress everybody.
When I went to see Mrs. Clinton and we talk about the inaugural dress I ask her what would you like to achieve with this particular dress? And she said to me what I would like is - that when I walk into the room and people will look at me and say wow you look great.
I tell you what it is. It's...when I didn't see you, I thought about you every day, I mean every day in some way or another -" "Same here -" "- even if it was just 'I wish Dexter could see this' or 'where's Dexter now?' or 'Christ, that Dexter, what an idiot', you know what I mean, and seeing you today, well, I thought I'd got you back - my best friend. And now all this, the wedding, the baby - I'm so happy for you, Dex. But it feels like I've lost you again.
When you label somebody and put them in a box, then you put the lid on the box, and you just never look inside again. I think it's much more interesting for human beings to look at each other's stories and see each other. Really see each other and then see themselves through other people's stories. That's where you start to break down stereotypes.
I've wanted to do a series for a long time, to see what it feels like to carry the whole responsibility of a show like that.
Everybody engaged in complex work needs colleagues. Just the discipline of having to put your thoughts in order with somebody else is a very useful thing.”
I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
I had a very down-to-earth product, my wrap dress, which was really a uniform. It was just a simple little cotton-jersey dress that everybody loved and everybody wore. That one dress sold about 3 or 4 million. I would see 20, 30 dresses walking down one block. All sorts of different women. It felt very good. Young and old, and fat and thin, and poor and rich.
What I have learned from the teachers with whom I have worked is that, just as there is no simple solution to the arms race, there is no simple answer to how to work with children in the classroom. It is a matter of being present as a whole person, with your own thoughts and feelings, and of accepting children as whole people, with their own thoughts and feelings. It's a matter of working very hard to find out what those thoughts and feelings are, as a starting point for developing a view of a world in which people are as much concerned about other people security as they are about their own
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