A Quote by Tommy Wiseau
I always wanted to work with a TV. So I'm open.
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I always wanted to be an actor. I was one of those lucky kids - or cursed kids - who always knew what he wanted to do. My wife too. She's a ballet dancer, and she's known what she wanted to do since she was 5. My mother used to tell this story about how our TV set had been taken to be repaired, and back then, they took the set out of the console. So there was this empty console with an empty TV screen in it, and I would climb inside and be like, "I'm on TV!"
I had always wanted to be on TV; my mom told me that when I was little, I told her I wanted to be a 'modeler,' because that's what I called actors on TV.
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
I always knew I wanted to work in TV or be an entertainer. Even though in 2006 I couldn't even speak English yet, I was determined to work in the WWE so I auditioned.
I grew up in the 1970s. It was a super open-minded time. I was taught through my parents and TV that everything was possible. You'd see cartoons where superheroes would fly. I always wanted to do these things.
In terms of writing and developing, TV is very open because TV needs stories. They need new pitches, and they need new ideas. They don't always take the risk for new ideas, but they are certainly open to it. They can't have enough people come in and pitch to them. It doesn't matter how they look or what gender they are.
TV family sitcoms have always been about fathers who know best and mothers who are so enchanted with everything they do. I wanted to be the first mom to be a mom on TV. I wanted to sent out a message about how us women really feel.
I always wanted to entertain. When I was little, I would sing in front of the mirror with a hairbrush or my sisters and I would make shows. I always wanted to be on TV.
I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know, whoever I was, I was alive for a little while.
I think I've had a fairly meandering career. Because I did start so young, I think that I've always chosen my parts based on what's interesting to me and what I think would be challenging or fun, or someone I've always wanted to work with or a place I've always wanted to work in or a topic.
I really made the cartoon Life with Louie with one reason in mind: I didn't have a very good relationship with my dad, and we didn't all watch TV together like we should've, like you hope for, like you've seen on TV, and I wanted to make it for moms and dads and their kids. That was always my goal. And then I wanted to put real things in it. We did a thing about the homeless and won a Humanitas award for that.
I barely watch TV. Somehow, I make it work with just the Internet. On TV, there's always so much crap, and you have to flip around.
Sometimes on the way to your dream you get lost and find a better one. It is okay to change your mind. If you thought you always wanted to be a doctor only to discover after medical school that what you really wanted to do was open a bakery--open a bakery. Life is too short not to follow your heart.
If I wanted an open space, I could do a documentary about fishes. Then I would have an open space to play my music. That's not how I visualize the work I'm doing.
The schedule on TV is crazy. You could not work for two days but then work from 4 A.M. to 1 A.M. the next day. I definitely wanted more family time.
I've always been very ambitious, and I always knew that I wanted something else. Cuba was a good start, but I knew I wasn't going to develop a real career, and I wanted to get closer to filmmakers that I wanted to work with.
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