A Quote by Tommy Wiseau

I'm satisfied with the way 'The Room' turned out, and I don't want to change anything. — © Tommy Wiseau
I'm satisfied with the way 'The Room' turned out, and I don't want to change anything.
If I could travel through time, I wouldn't go back and change anything in my life, because I'm delighted with the way it's turned out.
There are any number of conditions as to why your life didn't turn out the way you intended it to. My whole philosophy has always been that there is no way to change anything else in the world if you don't have the capacity to change yourself.
People believe that there's no room for change, there's no room to grow and if we're talking about this idea of God which is the infinite then there's no way that there's no room to grow because infinity is endless. So there must be more room to understand more and to evolve the way we think about this idea.
I wasn't really happy with the way 2008 turned out for me. I wanted to change some things.
As far as being satisfied, I just don't think you should work towards being satisfied. If everybody were satisfied, we'd never get anything done.
"Be the change you want to see in the world"...and, if you can't be that change, then either get out of the way of the person who wants to be that change or support the individual with your financial resources.
More than anything I want to get up there and hang out with the audience, make everybody feel like it's fun and they're involved and are just, like, friends hanging out in somebody's living room. I went to see Carole King on her 'Living Room' Tour, and that's the kind of feeling I'm aiming for.
Before you begin designing or buying anything, you need to get real and ask yourself: What do you really want to use this room for? What do you want to do in this room but can't now?
I'm pretty satisfied with how 'Postcard' turned out. I think everybody did a great job.
My clients were always poor folks, working folks, people who were in trouble and couldn't afford to pay a whole lot. I found it very difficult to say no to somebody who needed help, so most of my work turned out to be pro bono. It didn't start out that way, but it turned out that way because I never got paid.
I want a room that I can definitely pack out. I don't want to sweat that part, "Am I gonna have enough people?" So I usually pick like a hundred, a relatively small room. Also, I'm looser in a small room. I don't want to record an album in front of a thousand people, not that I could draw a thousand, but I just want a room that I can really work back to front. That's just a very comfortable place for me to be loose.
I want tension in my business. Tension creates change. Change is necessary to evolve and prosper. I am never satisfied.
But I have sometimes thought that a woman's nature is like a great house full of rooms: there is the hall, through which everyone passes in going in and out; the drawing-room, where one receives formal visits; the sitting-room, where the members of the family come and go as they list; but beyond that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes.
As hard as it was, as terrible and unfair as the way things turned out, i wouldn't have traded the few days i spent with him for anything
You don't have to be satisfied with America as you find it. You can change it. I didn't like the way I found America some sixty years ago, and I've been trying to change it ever since.
The attitude is in my personality. It's going to come out in the songs no matter what. If you're pushing the vocal constantly at 10, there's no room for any dynamics. There's no room for any variation in tone. There's no room for anything.
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