A Quote by Tony Burgess

The books are recordings; that's what they have to be, recordings of the writing. They have to be happening to me. — © Tony Burgess
The books are recordings; that's what they have to be, recordings of the writing. They have to be happening to me.

Quote Author

I like home recordings and studio recordings just as much as each other - I don't think one is better - but for this record I wanted to see what I could do in a real studio with real producers.
One of the greatest live recordings, I think, in the history of the world is Ray Charles in Atlanta... And they didn't even have a big mobile recording thing set up. The word on the street was they only had like two microphones, one for the band and one for him. Perfect recordings. I think it's mono.
There is a definite difference between live shows and the recordings. The recordings are for all time, hopefully, so you do want to bring across layers of subtlety. But the live show is this primal experience that everybody's having at the same time, that the recording can at best try to imitate or duplicate.
My husband is a musician. He cooks and he's a chef but he also, he makes basement recordings. So many people in my life make basement recordings, so I feel very lucky, I'm surrounded by very creative people.
Throughout college I was getting better and better at making recordings, producing songs, making different kinds of beats. I was starting to learn the signifiers of production from the '60s, the '80s. We never re-recorded anything. All the record companies that wanted to sign us - except for one - were excited about the recordings that we had done ourselves.
I love Arthur Rubinstein, especially his live recordings. I think his Chopin Mazurkas, his interpretation of the Polonaises, and the Concertos of Chopin are just incredible. When I was a child, I wanted to play more and more Chopin because of his recordings.
I'm very conscious of the fact that I devoted my life to recording music, recordings and writing songs.
Perhaps within the next hundred years, science will perfect a process of thought transference from composer to listener. The composer will sit alone on the concert stage and merely 'think' his idealized conception of his music. Instead of recordings of actual music sound, recordings will carry the brainwaves of the composer directly to the mind of the listener.
You just go where poetry is, whether it's in your heart or your mind or in books or in places where there's live poetry or recordings.
The rest of the world may devour Japanese hardware - from Honda Civics to Sony Walkmans - but Japanese software, such as books, movies and recordings, has had little impact outside Japan. The exception is video games.
I love that [ late-50s Verve recordings] - to me, that's the epitome of vocal jazz. It's my favorite style and era of it.
To me, dance is so ethereal and elusive, so much of an illusion. After a performance, that's it. With vocals and music, you have good recordings.
[The Library of Congress] is a multimedia encyclopedia. These are the tentacles of a nation. [Referring to the diverse holdings of the library, including motion pictures, photographs, recordings, posters and other historic objects which collectively far outnumber the books]
To me, recordings are little fourth-dimension artifacts, because they already are representatives of past, present, and future, just inherently in their existence.
I always dress up for recordings.
My grandmother got me recordings of the 'Goldberg Variations,' in addition to the 'Brandenburg Concertos,' the Mozart string quartets and Beethoven's 'Seventh Symphony.'
This site uses cookies to ensure you get the best experience. More info...
Got it!