What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.
I just woke up one day when I was six and I wanted to play the violin. Then, six years later, I didn't want to play the violin, but I wanted to sing and play the guitar.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
I went off to Harvard Law School for six weeks, and then I said, 'Doggone this, it's not what I want to do.' I remember when I told my dad I was leaving law school, and I wanted to go into football. He said, 'Be a good coach.'
The thing about Pablo is that he wasn't happy with what he had - just being the sixth richest man in the world. He wanted to be loved. He wanted to be accepted. He wanted to be President of Colombia; he wanted his kids to go to the same school as the Colombian elite. But he wouldn't be accepted by the elite.
I always wanted to be grown up. When I was little I couldn’t wait to be a teenager and go to high school. When I got there I wanted to be done with it, wanted to get out into the world, the real one, and live in it. The thing is, that world doesn’t exist. All growing up means is that you realize no one will come along to fix things. No one will come along to save you.
My dad was Chinese-American and very conservative when it came to his family's futures. He said if I wanted to have a secure job, I should go into science. So I did what Dad said and went to medical school, but the writing bug never left me.
I was the only one to go to university, and the last thing my dad wanted was for me to be an artist. But later on, when I bought him a house in the south of Spain, he thought it was all right then.
My father always encouraged me to do whatever I wanted, providing I was happy. He wanted me to go to school, but because I never wanted to, it was the only thing we argued about.
When I decided to go to university I didn't know what I wanted to do. When I had an opportunity to take an elective I took Drama by chance, even though I'd never taken a Drama course or even been in a play in high school. Two years later I was majoring in Drama and I knew I wanted to be an actor.
My dad's American, and my mom's French. I lived in France for the first 18 years of my life, then came here to go to school at the College of William and Mary. I studied marketing. I really didn't know what I wanted to do, so I thought that's what I should do - study business - because it would give me the best chance to find work.
Really the moment I decided I wanted to do art seriously, I left art school. I wanted to be with people who were interested in the same things I was: popular culture.
I went to art school and never thought I'd be a musician, but then punk rock came along in the late 70s and kind of ruined my life. So I quit art school to get involved in music and I've been doing it ever since.
I wanted to go and I wanted to drive the miles for no pay, I wanted to set up the rings, I wanted to set up the chairs, I wanted to go to training six-seven days a week for hours upon hours and blow myself up to where I can only work on instinct. I wanted to sleep in my car. I wanted to do all of that.
I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.