A Quote by Tony Scott
An established film director can just pick up the phone and say to a star, 'Hey, are you interested in doing a commercial?'
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In this land of unlimited opportunity, a place where, to paraphrase Woody Allen, any man or woman can realize greatness as a patient or as a doctor, we have only one commercial American filmmaker who consistently speaks with his own voice. That is Woody Allen, gag writer, musician, humorist, philosopher, playwright, stand-up comic, film star, film writer and film director.
What he does, faults and all, he's our president. And so I want him to be successful. When these tweets come out, I mean, do I look at 'em and say, 'Okay, where did that come from?' Yes. But I don't pick up the phone and say, 'What are you doing?' I just know that's who he is.
I can at least hearken to a time when I didn't have a cell phone, where I had to call my mom after movies collect from a pay phone, and when they said, 'State your name,' I'd say, 'Mom, pick me up,' and hang up the phone.
Film works when a director and a star have a connection. You know, when there's something telekinetic between them, there's a partnership, it's like alter egos. It's like James Stewart and Alfred Hitchcock, or Fellini and Mastroianni. I'm not comparing, I'm just saying, if you can come into a relationship where the director and star have such a bond, it's so much easier to make a movie.
Like 'Lost in Translation,' I worked on an advertisement where a Hollywood star was doing a commercial just for Japan. The star was Hugh Jackman. Since I'm Australian, they just assumed I knew him, and I didn't correct them.
This was before voice mail, recorded phone messages you can't escape. Life was easier then. You just didn't pick up the phone.
I don't see myself as a short-film director, and I'm not a commercial director.
Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.
When I had dial-up, my mom got me a phone so I wouldn't tie up the phone. She used to really pick up the phone, push some buttons, and hang it up so the connection could mess up. Now, it's a joke with her, like, 'Look, the Internet's 24/7. I have WiFi now.'
I feel that the critic and music director should have such a good relationship they can pick up the phone and call each other any time.
You pick up the phone and you talk to somebody. There's a voice on the other end and you say what you have to say. This is how I perceive my life. I don't see myself as "Oh, I'm doing this great thing because I'm going to give this talk, now everybody's going to be transformed."
Before writing a single note of music, and even before the spotting session, I find it best to sit down with the director and just listen to him or her talk about the film - what they're trying to say, what they want the audience to understand or believe, and a thousand other similar questions. The director has most likely been living with the film for years before a composer is attached, and so the director's inclinations, desires, and understanding of the film are paramount.
People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
If you do well as an actor, a good director will pick up on it, and keep it in the film.
I found that whatever interested me in life, I could pretty much pick up the phone, call somebody, and all of a sudden be in the middle of it.
When I became director of the Metropolitan Museum of Art, it was stodgy, gray, run by elitists. I said, 'Hey, let's kick the thing around.' I wanted to attract young people to the museum. I said, 'Make it hospitable. I want them to come. I want them to make dates, pick up girls, pick up boys - either way; I don't care.'
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