A Quote by Tony Scott

The real world has always been far more exciting and funny and dangerous to me than anything somebody could conjure up sitting in front of a computer. — © Tony Scott
The real world has always been far more exciting and funny and dangerous to me than anything somebody could conjure up sitting in front of a computer.
I, for one, am not nearly as engaged when I'm looking at something that's been completely drawn up on a computer that replaces anything that's in real time and real space. It just engages me all the less, rather than all the more.
It's always dangerous to prescribe an idea on other people. I think people's interactions with art are their own, and will be far more interesting and sophisticated than anything that I could come up with.
I'll play anywhere for Arsenal, but hopefully, given my chance up front, I can do something, because I've always been more of a striker than a winger, and I think I could show a bit more up front.
I have had to work long and hard to eradicate the dangerous delusion that, in a bad position, I could always, or nearly always, conjure up some unexpected combination to extricate me from my difficulties.
A studio allows me more freedom. You can create your own sort of reality which is actually more exciting than shooting on location. You can conjure up a complete atmosphere of escapism for the public.
A book had always been a door to another world... a world much more interesting and fantastical than reality. But she had finally discovered that life could be even more wonderful than fantasy. And that love could fill the real world with magic.
Children are already accustomed to a world that moves faster and is more exciting than anything a teacher in front of a classroom can do.
I think readers' imaginations are far more powerful than anything you can put on a page and, therefore, can conjure up graphic images for themselves, which I think you just have to nudge them towards.
The supernatural world has always been more real to me than the real world.
I tell you this: You always get what you create, and you are always creating. I do not make a judgment about the creations that you conjure, I simply empower you to conjure more-and more and more and more. If you don't like what you've just created, choose again. My job, as God, is to always give you that opportunity.
Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.
I don’t work as a conceptualist. Let’s say the conceptual art model is that you have a project idea, or a set of concerns, and then you illustrate those concerns in whatever manner you see appropriate. For me, it has always been that the world suggests far more subtle and interesting variations than I could ever come up with.
Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss.
It was funny how dad was more honest in a book that anyone in the world could pick up and read than he could be talking to me. Or maybe it was sad. One or the other. Sometimes it’s hard to tell.
I came upon whatever I'm doing organically. I didn't study anything. I don't have any real aspirations other than to connect with somebody, and to have the conversation be genuine. That's the best that can happen. Even if it only happens for 10 minutes in an episode. But I think what people forget is that you don't have to try to get a comedian to be funny. Comedians are innately funny. That the real challenge of talking to them is to get them talking about real things and then see where they need to be funny. And let them do that on their own volition.
You've never heard me talk about politics all that much, and it's just - I can't think of anybody more dangerous as president than Donald Trump. I can't think of anything worse than with him not having a clue. I mean, could you imagine somebody who doesn't read and doesn't learn trying to deal with the day-to-day changes and challenges of that job?
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