A Quote by Travis Mathews
"Oscillate Wildly" is in many ways a story of first love and how it challenges our hero's guarded sense of what's possible.
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Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.
The male intimacy and raw honesty was already developing on the page 'Oscillate Wildly' with these characters. Being explicit would not only distract and alienate certain audiences, it would limit who has access to the film, and that's something I think a lot about with this story.
Healthy fiction, no matter how wildly it may depart from the material order, teaches us to love ourselves in a wholesome manner by loving our neighbor. Indeed, even by loving our enemies - at least by trying to learn to love them, and by believing that it is right to do so. With grace this is possible.
In many ways, each of us is the sum total of what our ancestors were. The virtues they had may be our virtues, their strengths our strengths, and, in a way, their challenges could be our challenges.
I initially wanted to tell 'Oscillate Wildly' story because it wasn't one I had heard or seen before. The invisibility piece resonated most. Somewhere over the past couple of years I realized that I've essentially been making movies for my teenage self who struggled with isolation and my own brand of invisibility living in rural Ohio.
Many of our ideas of what love is comes from stories... these are extremely powerful shapers of our attitudes towards love, and I think that, in some ways, often we've got the wrong story.
If we don't love ourselves, we would not love others. When someone tell you to love others first, and to love others more than ourselves; it is impossible. If you can't love yourselves, you can't love anybody else. Therefore we must gather up our great power so that we know in what ways we are good, what special abilities we have, what wisdom, what kind of talent we have, and how big our love is. When we can recognize our virtues, we can learn how to love others.
Wine is a sign of happiness, love and plenty, how many of our adolescents and young people sense that these are no longer found in their homes? How many women, sad and lonely, wonder when love left, when it slipped away from their lives? How many elderly people feel left out of family celebrations, cast aside and longing each day for a little love?
I think there are so many ways to become interested in music. I believe signs of sustained interest gives a sense of the right time. Music, if thought of as a language, would perhaps indicate that as early as possible is not so bad. I do believe that a really nurturing first teacher that makes the child love something is crucial.
One of the best ways to convince someone is to use a telling example, a story, a narrative. When Steve Jobs announced a new product, he told a story, exzlaining how a product would change the world as we know it. He turned Apple into a story whose challenges and adventures you want to hear about.
There are many challenges, sadly many challenges our mothers were used to but have endured, which is inspiring. Sadly there are many challenges that many of us are already used to and have been fighting for years, yet our strengths will inspire future generations. That's not to forget we will share many more triumphs to come. It is all a process. Ironically enough, situations that violate human philosophy unite people of different backgrounds.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
The relationship between book and reader is intimate, at best a kind of love affair, and first loves are famously tenacious. [...] First love is a momentous step in our emotional education, and in many ways, it shapes us forever.
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other...
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