A Quote by Trevor Nunn
The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.
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In Korea, the director has the final word. If the director makes a decision, that decision is final. In Hollywood, every decision needs to go through the producer, the studio, and sometimes even the main actor. There is a certain procedure that needs to be followed.
More that members of Senate know about Medicaid, in many ways, the harder it is to make that final decision, because you have got so much information, and you know how many other things are impacted here by one decision here that, five decisions later, has made a big difference in somebody's life.
I think that's true of all cinema, that's why cinema is the great humanistic art form. Whatever the film is, it doesn't matter what the film is about, or even whether it's a narrative or figurative film at all, it's an invitation to step into somebody else's shoes. Even if it's the filmmaker's shoes filming a landscape, you go into somebody else's shoes and you look out of their lens, you look out of their eyes and their imagination. That's what going to the pictures is all about.
When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.
I'm able to lead my life as well as make a film. My wife and my friends and people around me know that I do tend to distance myself a little bit during the making of a film, but I have to, it's a natural part of the process for me because you are indulging in the headspace of somebody else, you are investing in the psychology of somebody else and you are becoming somebody else, and so there isn't enough room for you and that somebody else.
In some instances, I would say the writer does deserve equal billing with the director. In other instances the director - especially if he wrote part of the script himself - is clearly more the author of the movie.
It's very hard to write music for a film because you're writing about somebody else's experience.
I think that for the actors, the last thing that they want is a director that's not watching, a director that goes 'Okay, it sounded good to me,' and they were doing something else or preoccupied with something else because they were worried about the light changing.
I grew up in New York and I've always lived here, so I look at myself as a regular person. When somebody recognizes me from the film - and it can be a wide range of people, which shows the power of film - I feel like they're talking about someone else we both know. I just find it hard to believe that anyone would stop me to share how much they loved something that I was a part of.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
The point of having a director is that they make the final decision; it's their point of view, they set the rhythm and they make the final decisions.
After working so hard in 'PKP 1,' I made a space for myself in the film world. Why would I give it away to somebody else? Shouldn't I be benefitted from that image if I have created something for myself?
The study of an idea is, of necessity, the story of many things. Ideas, like large rivers, never have just one source. Just as the water of a river near its mouth, in its final form, is composed largely of many tributaries, so an idea, in its final form, is composed largely of later additions.
Just as the water of a river near its mouth, in its final form, is composed largely of many tributaries, so an idea, in its final form, is composed largely of later additions.
Essentially, it is the director who is the creative head of a film. The final authority on all decisions lies with the director. That is how it should be. And then other team members can give their creative inputs.
I can spend somebody else's money on somebody else. And if I spend somebody else's money on somebody else, I'm not concerned about how much it is, and I'm not concerned about what I get. And that's government. And that's close to 40 percent of our national income.
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