A Quote by Trevor Nunn

I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera. — © Trevor Nunn
I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
I'm not shutting doors on myself, in any way, within theater, musical theater, TV and film.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
I trained at a conservatory as a mezzo-soprano and was a musical theater major in college so I had a theater background.
One hundred percent, all your Shakespeare training serves you in the work in musical theater today: specifically in modern musical theater, our soliloquies, and now what we call rap. It's the reason it's so easy to learn, because it's verse; it's rhyme! It just sticks in the soul very easily.
I double majored in English education and theater with a musical theater minor. Teaching is the only thing that makes me as happy as performing.
I love doing theater. Despite the fact that out of theater, film, and TV, theater is the hardest thing to do. It's the least paid, and we all have these bills that we have to pay.
I really wanted to go back to the theater, the live theater. That was the thing I had never had a chance to do, even though I had trained to be a stage actress.
Theater is a wonderful medium - I love theater myself, and there are exceptions to every rule - but the thing that motion pictures can do that theater cannot is that in movies, you don't have to rely on dialogue.
When I was doing theater for all those years in New York, I did a lot of classical theater, wearing big corsets and big dresses and doing dialects. It's interesting that once I moved to TV, I'm playing these scrappy, contemporary toughies.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater.
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