A Quote by Trish Goff
American 'Vogue' and the Versace campaign by Richard Avedon were huge for me. It put me on the map.
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I always drew dresses. I remember loving Richard Avedon's early Versace campaigns. I used to plaster my whole walls with them when I was a kid.
We always had 'Vogue' in our house. But, when I was around 12, my Mom finally took me seriously about modeling and put a stack of magazines in front of me, then told me to study all the poses. The ones I loved the most were in 'Vogue.
We always had 'Vogue' in our house. But, when I was around 12, my Mom finally took me seriously about modeling and put a stack of magazines in front of me, then told me to study all the poses. The ones I loved the most were in 'Vogue.'
Versace! Versace! Versace! Versace! Versace! Versace! We love Versace. Versace is the greatest designer of all time!
Being involved in 'The Hobbit' has been a huge boost for me. It's really put me on the map and helped me be taken more seriously as an actor.
Within two months I made the grand slam: covers of 'American Vogue', 'Italian Vogue', 'British Vogue', and 'French Vogue'.
I remember this time I worked with Linda Evangelista on a shoot for Richard Avedon. I just put grease on her face, and it was beautiful.
Richard Avedon taught me that if you go into a photo session and come out with what you had hoped for, it’s a failure. You need to be surprised if you want it to be magical.
I felt like I was in the best photography school in the world - I had Herb Ritts, Bruce Weber, Richard Avedon and Irving Penn teach me.
Patrick Demarchelier was the one who got me my first 'Vogue' cover. It was French 'Vogue' - I think in '87 or '88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, 'Oh, no. We've never had that before.'
Patrick Demarchelier was the one who got me my first Vogue cover. It was French Vogue - I think in ’87 or ’88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, "Oh, no. We’ve never had that before."
Avedon wouldn't let me put wax between my teeth like I usually did.
Richard Avedon is a true genius of photography and one of the greatest artists of our time.
I'm 9, 10, and I'm watching the Apollo astronauts go to the moon. We're sitting on the floor of a school, and they have this... huge TV, and I'm looking at that, and I'm thinking 'Me, I would like to do that.' But it didn't dawn on me then that they were American; I was Canadian. They were men; I was a girl. They were test pilots, military folks.
Somebody with a huge brand like Bellator under an even huger brand like Viacom, to have them put their faith in me, to put me in so many things, to put me in commercials, send me to all these events, and just to continue to put me in the cage with great talent, it's great.
The kind of propaganda that some of the religious groups, aided and abetted by the opposition, put forth in that campaign utterly disgusted me. If I needed anything to show me what prejudice can do to the intelligence of human beings that campaign was the best lesson I could have had.
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