A Quote by Twiggy

I didn't really know about Marilyn Manson - it's not my sort of music, not exactly the sort of thing I would curl up and listen to! — © Twiggy
I didn't really know about Marilyn Manson - it's not my sort of music, not exactly the sort of thing I would curl up and listen to!
It's not like I turn off Marilyn Manson and I'm an everyday guy who goes and has another job and doesn't think about any of this stuff. Marilyn Manson is the most real thing that can come from me.
I believe in spiritualism. It's like, when you listen to music or something and then you're sort of primed. If you're an artist, you're sort of primed and inspired, and you start drawing, you sort of have the spirit of what you're listening to, still in you. You just have sort of an inspiration.
I am a character, so that's the problem. There are many, many levels to how I behave. Some people might associate being Marilyn Manson as having lipstick on, but I don't really have some sort of other lifestyle.
Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.
When I was a kid I really didn't have my own opinions and then sort of transformed into this angel which is really Marilyn Manson and then the final stage is Antichrist Superstar which is the more nihilistic, totalitarian element in everybody's personality, that, is a real struggle on the album and in my life, between that power.
We were big Clash fans, you know, big Who fans and I think we would listen to this music and talk about music and do nothing but music night and day, and when it came time to actually making our own music, you feel compelled to sort of tuck all those influences away, not show them.
I'm a real big Marilyn Manson fan. I get a lot of my styles from him. Not even musically - living-wise, too. Marilyn Manson definitely shows me you shouldn't care what nobody say. I watched a bunch of his interviews, and he's not just an artist; he's one of the most intelligent people I ever saw in my life.
And I guess the thing that I really sort of rely on in me is that I love racing and I love competing and so I know that you know when the time comes and the pressure's on and I have to swim well, I'm sort of able to pull it out and sort of get the best out of myself.
'Sort of' is such a harmless thing to say... sort of. It's just a filler. Sort of... it doesn't really mean anything. But after certain things, sort of means everything. Like... after "I love you"... or "You're going to live."
Being a straight white guy in his, like, early twenties - there's some sort of thing about it. A sort of privilege, a sort of anger or something. You just say some really stupid things.
I would take lots of falls and you know, get shot three or four times and this sort of thing, so all that sort of stuff. And there are tussles with various characters. I like that kind of thing.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret.
I was listening to country at the time too, mostly because when I was a kid growing up in the country, all my friends would listen to the CMT crap and I really hated it. That would make me really angry. But when I got older I started discovering that there was actually good country music that could sort of take me back to my roots.
I didn't really because I know myself well enough to know that if I actually sit down and think about sort of I can spook myself out like anyone, you know? It's sort of like you've got to sort of jump out of the airplane when you're skydiving. If you spend 20 minutes sitting on the lip you probably won't do it.
I'm very much inspired by the Latin music, especially the romantic boleros. Not that when I sit to write a play I listen to boleros. But I think it's part of my DNA, it's part of my upbringing. I grew up in a house where this is the kind of music my parents used to listen to. This is the kind of music I would even hear in my neighborhood. I think that sort of romanticism is part of the culture.
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