A Quote by Twinkle Khanna
My father was very fond of reading. It was something we did at our home. I don't think it fits the way people think Bollywood works, but that's who we are.
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I think our Republican brand is an effective one and I think it fits and works here in Massachusetts.
When you have an idea for a story, you want those characters to reach as many people as you can. I think you normally think of prose as a way of doing that. It fits our time, the culture.
We're all very fond of a black box in our living room that works on diminishment of images, that spoons somebody up in a very limited way. It can be a reduction at its worst.
When I think of Bollywood dance, I think of choreographies from the '70s and '80s. That was true Bollywood, what is now known as old school Bollywood.
Think about the way you go surfing on the Internet - you go from one thing to another. You can't really concentrate. I can't sit and read 10 pages on my computer. You'll read and then all of a sudden part of your brain is like, "What about that? ...You're not reading the whole book. You're reading fragments. Even though I think it's bad, I think it's interesting too, because that's the way my brain works.
I finally did work out a very good relationship with my father, but it was rough growing up. We had a lot of conflict, and I think it surfaced in many of my works.
As Maharashtrian actors, we are very conscious about our decisions in Bollywood. It's not cakewalk. Bollywood is vast, and there is a lot of competition. I don't want to be doing something small there.
Man, if anybody knew the path that we've been on, no one in their right mind would ever try to duplicate it. That's something Nashville always tries to do, though. If something is successful, they try to repeat it by telling other people, "Hey, do what that guy did." I just don't think it works that way. The first one who gest there, the one that cuts the path ... it's always the roughest path but I think it's got the most reward at the end.
I am an artist and a writer, and I do think that one always places oneself in the picture to see where one fits. I left home when I was sixteen and lived in places where it was very easy for me to have fallen the other way. I could have been on the large convoy because I was a woman and I was alone. In India, that's not a joke. I could have ended up very, very badly. I'm lucky that I didn't.
Sometimes, we have to turn our camera to a mirror to shoot something, and people think, 'Oh, that's very stylish.' Yes it is, but at the same time, we did it because we are shooting in a very small space, and that was our only option.
We don't have very many nights out on our own, and by most people's standards we don't have much of a social life. But for us the compromise works, and I think the best thing I ever did was to have a family.
People don't think music to be a reliable source of income or career, which I will agree, in a way, because Bollywood is a very risky place to be in.
Reading is always a way of forming a bond with other people. I'm not very good at socializing - I quite like spending time alone - so reading is a way of engaging quite deeply with the way other people think. Quite often when you meet other people socially you don't get to have a conversation of any depth. You end up talking about how well or how badly someone is doing at school or something of that sort. Questions like, "What we are," "Who we are," "Where are we going," you get those from literature and from people that spend some time thinking.
As a storyteller, you have to have something to say. You have to look at the world, think about it in relationship to yourself, and say, 'I think this is a pattern,' or 'I think this is the way fatherhood works,' or 'I think this is the way first love feels.' The danger in that is, that's when you open yourself up to real critique.
I think people do look to writers to tell the truth in a way that nobody else quite will, not politicians or ministers or sociologists. A writer's job, is to, by way of fiction, somehow describe the way we live. And to me, this seems an important task, very worth doing, and I think also, to the reading public, it seems, even though they might not articulate it, it seems to them something worth doing also.
I've recorded at home since I was a teenager, and I'm able to sit here in my underwear and keep trying different things until something works. I think if I did that in a studio the engineer would be like, "What the hell is wrong with you?"
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