A Quote by Twinkle Khanna

I like crisp words like 'blimey', 'yikes', 'crap' which describe consternation, embarrassment, and sometimes wonderment without making me type so many alphabets. — © Twinkle Khanna
I like crisp words like 'blimey', 'yikes', 'crap' which describe consternation, embarrassment, and sometimes wonderment without making me type so many alphabets.
I know that sentence is long and has too many joining words in it but sometimes, when I'm angry, words burst out of me like a shout, or, if I'm sad, they spill out of me like tears, and if I'm happy my words are like a song. If that happens it's one of my rules not to change them because they're coming out of my heart and not my head, and that's the way they're meant to be.
Our emotions are ever-changing and infinitely varied, but the words with which we describe them are fixed and rigid. Our life is like quicksilver, our vocabulary like steel. Sometimes a consummate poet succeeds in rendering the quality of life in words. For the rest of us, this is not possible.
There is no embarrassment quite like the embarrassment of listening to a person for whom one has a regard making a fool of himself.
I like playing around with the words; I love it when I feel like I've picked the exact right word to describe whatever it is I'm trying to describe.
I like playing around with the words; I love it when I feel like I've picked the exact right word to describe whatever it is I'm trying to describe
I sometimes hold it half a sin To put in words the grief I feel For words, like nature, half reveal And half conceal the soul within. But, for the unquiet heart and brain A use measured language lie's The sad mechanic exercise Like dull narcotic's, numbing pain In words, like weeds, I'll wrap me o'er Like coarsest clothes against the cold But large grief which these enfold Is given in outline and no more.
For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.
Many of Judy Blume's books - which I devoured when I was growing up and where I found characters that were believable because they were a lot like me - caused considerable consternation when they were first published, but now they're widely accepted as an essential part of the children's literary canon.
Sarcasm is weird. Even not in acting, in life I feel like 'sarcastic' is a word that people use to describe me sometimes so when I meet someone, it's almost like they feel like they have to also be sarcastic, but it can sometimes just come off as mean if it's not used in the right way.
So when you're talking about lyrics in the context of music, it's not just about what the words mean, and what you were thinking about when you wrote it. It's not cognitive in that same way. It's almost like music turns words into touch, which is hard to describe, like the feeling of your shirt on your back. It's a pretty delicate thing to try to put into words. You just feel it.
I feel like I was the only person who was capable of making this type of music in this type of way. I don't rap like nobody, I don't try to sound like nobody.
Without strong financial roots, our generation is in a constant state of redefinition. This forces us to think outside the box when it comes to making a living... which sometimes makes it look like we're a mess, but really we're just creative. And we like weed.
I'm interested in the kind of anti-establishment ethos that goes with making an independent movie. I like to bring that to studio films - usually to the consternation of the studios.
There are only two kinds of stories in the world: those about which I do not care to write as many as 600 words, and those about which I would like to write many more than 600 words. But there is nothing about which I would like to write exactly 600 words.
I like the feeling of making things. It's very very rewarding. And filmmaking is that type of experience, where you're forced to collaborate with so many people. You're involved in the beginning to end, you're involved with so many elements, and when it's done, you're like, 'I made this movie.'
Poetry is halfway between prose and music: it is sometimes like an intimate conversation, in words and phrases which need not be fully uttered, and sometimes like dancing and wordless music.
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