A Quote by Twinkle Khanna

'Mrs Funnybones' is based and structured around my columns, and it's about how a modern woman looks at India and how India looks right back at her. Since I have a weakness for illustrations, there are also a few funny illustrations in there as well.
I seem to be known as much by the moniker 'Mrs Funnybones' as my own name these days. The book was about how a modern woman looks at India and how India looks right back at her. I am glad that India seems to be looking back at me with a grin.
I dream of a Digital India where the world looks to India for the next Big Idea.
My own life in India, since I came to it in 1893 to make it my home, has been devoted to one purpose, to give back to India her ancient freedom.
When I'm on stage, it's really intense. My mind is going a million miles an hour, trying to remember my act, trying to say it all the right way. It's funny how different it looks and how it's happening. There are three Fellini circuses in my head, and outwardly it looks like I'm going to get a bagel.
There is extensive critical scholarship that provides illustrations in many areas of scholarship. I've discussed many cases myself, while also citing and often relying on academic studies that disentangle these webs of mystification woven for the general public. It's impossible to provide illustrations that would even approach accuracy, let alone carry any conviction, without going well beyond the bounds of this discussion.
If you write a lovely story about India, you're criticized for selling an exotic version of India. And if you write critically about India, you're seen as portraying it in a negative light - it also seems to be a popular way to present India, sort of mangoes and beggars.
When I wrote 'Monsoon,' I always imagined the music video being shot in India. The song had so much to do with my time in India with my mother as well as leaving her in India during the monsoon season to visit my family in N.Y. It really was a dream come true when I was given the opportunity to shoot in India.
I learned from her that every woman is worried about her looks, no matter how beautiful she is.
Our federal Constitution embodies the idea of modern India: it defines not only India but also modernity.
India is one of the youngest startup nations in the world, and so far, various technology startups have witnessed phenomenal growth. It's amazing how these startups are thriving solely based on domestic demands. It speaks volumes about India's economy and its rich talent pool.
India is a curious place that still preserves the past, religions, and its history. No matter how modern India becomes, it is still very much an old country.
There's a whole form of literature in India which talks about the quest for the perfect man by a woman, where every woman looks for a perfect man but only ends up with half that.
Seeing a woman's child is like seeing a woman naked, in the way it changes how her face looks to you, how her face becomes less the whole story.
Sorrow looks back, Worry looks around, Faith looks up
I am interested in a constructive approach, which looks at how wealth can be created using bright ideas that will help India prosper.
I do what most women do. I meet someone and some of it's right, maybe he looks right, or has the right job, or the right background, and, instead of sitting back and waiting for him to reveal his other bits, I make them up. I decide how he thinks, how he's going to treat me, and, sure enough, every time I conclude that this time he's definitely my perfect man, and all of a sudden, well, not so suddenly perhaps, usually around six months after we've split up, I see that he wasn't the person I thought he was at all.
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