'The Marriage of Souls', like 'The Rationalist', is an exploration of humanist philosophy wrapped between the delicate leaves of an eighteenth-century tale. The story of the two novels - and they should be read as a two-volume work - centres around the old war-horse of boy meets girl, boy loses girl, boy finds girl. But what a boy and what a girl.
When we found out we were having a child, I was like I want the child to be healthy, but when asked do you want a boy or a girl, I wanted a girl.
Romance goes like this: Boy gets girl. Boy loses girl. Boy gets girl again. The end. It can't be any other way.
What's difficult to understand about German opera? It's always the same. Boy meets girl, boy falls in love, girl gets devoured by horrible winged creature with claws.
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?'
It's the oldest story in the world. Boy loves girl. Boy loses girl. Boy gets girl back thanks to the unethical behavior of megalomaniacal mad scientists who never met a corpse they wouldn't try to resurrect. Anyone coming within a hundred yards of my happy ending had better pray that they're immune to bullets. - Shaun Mason
Believe it or not, people went so far as to suggest that I might not be able to write songs anymore because now I am married. I tried to explain again that there are other things to write about besides boy meets girl, girl meets boy, boy breaks up with girl, girl is sad.
The idea behind a dish - the delight and the surprise - makes a difference. Great literature surprises and delights, and provokes us. It isn't just 'Here's the facts - boy meets girl, boy loses girl, boy gets girl.' It's how you tell it.
I was a boy in the ads I did as a child. My sister was the girl, and I was the boy. I had short hair and I was in overalls and I was giving flowers to my sister Daisy, who fit their model of what a girl was supposed to look like.
I've always been a girl's girl, and I've always enjoyed my girl friends' relationships, so I want the girls who follow me to feel like we're besties.
And your life,' Katie said to Christy, 'is turning into a rather predictable romance. Girl meets boy. Boy is a dork for four years. Girl blossoms into a gorgeous woman. Boy finds his brain. Girl turns into starry-eyed mush head.
You are hearing this song, and you're 16, and it's a song about love, or a girl. And then maybe there's a girl at school that you like. So you're going to be thinking about that girl. That song is sort of about that girl. The songwriter doesn't know that girl, obviously. He wrote it for something else. But there's the specific meaning with the universal again.
I thought it was great being the only girl in the room. I loved the attention. After I got used to it, I didn't want to be the only girl in the room. I had no one to talk to.
I've always been down to try out new things, but I was more of a jeans girl at age 17. I didn't want to show my legs. Now, I'm a dress-shirt girl, a shorts girl, a jeans girl, an overalls girl - I'll wear anything!
From the moment I could express myself, I acted like a stereotypical girl and insisted that I was a girl. I wasn't just a boy who liked girly things - I knew I was a girl.