A Quote by Tyra Banks

I think it makes women feel better to find fault with other women. I do that, too. — © Tyra Banks
I think it makes women feel better to find fault with other women. I do that, too.
If we're by ourselves we come to feel crazy and alone. We need to make alternate families of small groups of women who support each other, talk to each other regularly, can speak their truths and their experiences and find they're not alone in them, that other women have them, too ... It makes such a huge difference.
Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
I ask myself a lot how other women can be against the ideology that has to do with women empowering other women. Going along with the access of power and the status quo and forging a special position and the thought process that goes: I am not like those women. When it comes to things like assault, for example, perhaps it makes them feel safer. It's the denial: I'm okay. This won't happen to me. Acknowledging that the world is a profoundly unsafe for women is a scary thought.
We need to do a better job of mentorships and role models to bring other young women along so that there's more women in our boardrooms, there's more women here in the United States Senate and in Congress. I think there's an important role for women to play.
Personally I get so much of my inspiration from women in other countries, so I don't feel like American women are the leaders and I don't agree with the notion that Americans can accomplish more or do more. But I do think that what we can uniquely do here in America is mobilize and galvanize a lot of these ideas and resources. It's a war of ideas. We, Islamic women, are very well supported in this country by institutions, academic and nonprofit, that are already in the field endorsing women's rights and tolerance. The women in other communities have been the pioneers in this work.
Women are angry if other women think too little of their lovers, and furious if they think too much.
I don't think that there are as many black women or women of color becoming psychiatrists, so we can't find them and then we feel looked at and studied and that's part of what is damaging to us. It's hard to find therapy that is actually a tool for your own liberation. I think we can be really distrustful.
There is no masculine psychology in my cinema. There is only the resentments and desires of women. A man should not attempt to recognize himself in my male characters. On the other hand, he can find [in the films] a better understanding of women. And knowledge of the other is the highest goal.
Sometimes I feel that my message has not been clearly heard. But that is not my fault because I feel like too much is going on in terms of women being victims.
I don't see women and think of them as competition or with judgment. Women really move me. I feel connected to all kinds of women. I am angry because I think we've been mistreated throughout history in different countries, including America. I admire women.
Women can be made to feel like that makes them seem 'too demanding,' but it's better than wasting time on someone who isn't planning any future with you.
Women need to support other women, not cut them down. And that goes for recognizable women too.
I think we have to fight the idea - that I think a lot of us have internalized - that it is difficult to work with other women. We really need to embrace collaboration with other women. We need to seek out other women to promote.
First and foremost, I wear what I love. That's what women have to focus on: what makes them happy and what makes them feel comfortable and beautiful. If I can have any impact, I want women to feel good about themselves and have fun with fashion.
It is easy to find fault, if one has that disposition. There was once a man who, not being able to find any other fault with his coal, complained that there were too many prehistoric toads in it.
In the first two projects I've worked on professionally, I've been doing ensemble work with other young women, which I think is pretty cool. And they both were directed by and written by women. It's been a wonderful experience of real ensemble support and women lifting each other up, and I feel really lucky for that.
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