A Quote by Tyra Banks

I close my eyes while driving and just sing along. I always open them again in time. — © Tyra Banks
I close my eyes while driving and just sing along. I always open them again in time.
You don't need as much as some of the other artists but you do sing with your eyes close and it gives the illusion that you singing in your sleep and number one places around the country, you have to have your eyes open. You can close your eyes for a certain gesture or whatever but your eyes are the mirrors of your soul.
Many people meditate in order that a third eye may open. For that they feel they should close their two physical eyes. They thereby become blind to the world. But the fact is that the third eye will never open. We can never close our eyes to the world in the name of spirituality. Self-realization is the ability to see ourselves in all beings. This is the third eye through which you see, even while your two eyes are open. We should be able to love and serve others, seeing ourselves in them. This is the fulfillment of spiritual practice.
From time to time it's fun to close our eyes, and in that dark say to ourselves, 'I am the sorcerer, and when I open my eyes I shall see a world that I have created, and for which I and only I am completely responsible.' Slowly then, eyelids open like curtains lifting stage-center. And sure enough, there's our world, just the way we've built it.
For as long as I'm able to write songs and sing them, it's just about making them ones I feel proud to sing again and again.
I think my eyes were knocked open and they don't close. I sometimes wish I could close them and look away.
Time expands and contracts. When it expands, it’s like pitch: it folds people in its arms and holds them forever in its embrace. It doesn’t let us go so easily. Sometimes you go back again to the place you’ve just come from, stop and close your eyes, and realize that not a second has passed, and time just leaves you there, stranded, in the darkness
These songs are old friends I have entertained myself with when I'm washing the dishes, driving to the store and walking down the aisles. The ones that you sing when you're driving in the car and as a singer you always go back to them.
Next time you look in the mirror, close your eyes and ask yourself when you feel like the best version of you. When you open them, act on that.
Every time I feel tired while I am exercising and training, I close my eyes to see that picture, to see that list with my name. This usually motivates me to work again.
When I sing, I close my eyes. If I see a feather, everything is fine. Without this image in my mind, the sound is not 'truthful' enough, and I must begin again. I have to.
When I sing, I close my eyes. If I see a feather, everything is fine. Without this image in my mind, the sound is not 'truthful' enough and I must begin again. I have to.
Always face what you fear. Have just enough money, never too much, and some string. Even if it’s not your fault, it’s your responsibility. Witches deal with things. Never stand between two mirrors. Never cackle. Do what you must do. Never lie, but you don’t always have to be honest. Never wish. Especially don’t wish upon a star, which is astronomically stupid. Open your eyes, and then open your eyes again.
Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.
That's why I like listening to Schubert while I'm driving. Like I said, it's because all his performances are imperfect. A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of - that a certain type of perfection can only be realized through a limitless accumulation of the imperfect. And personally I find that encouraging.
The Greek tragic mask is one of my main metaphors for the role of the poet. The eyes of the tragic mask are always open to witness even the worst, and the mouth is always open to make poetry from it. Neither ever close.
I never do a show where the people just sit there and look at me. They always sing along. It's going to be a fun time.
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