A Quote by Tyra Banks

If you can think psychographically and not demographically, you can really target a lot more audiences. — © Tyra Banks
If you can think psychographically and not demographically, you can really target a lot more audiences.
I think films are a really small target. They're really hard to make, and they're a really tiny target.
I've enjoyed appearing in Atlantic City. East Coast audiences are a bit brighter than Las Vegas audiences. I think most entertainers will tell you the same thing. The East Coast audiences are more perceptive - especially when it comes to a performer with a theatrical background.
Nevada is certainly more representative of what the entire country looks like demographically, so you really are testing how these candidates are doing across ethnicities, across genders, across cultures.
I think the painted backgrounds in animations are absolutely stunningly beautiful. There's something really special about this medium. I don't believe audiences have grown past it. I think what audiences love is to be entertained-thoroughly, deeply entertained, and that's what I've always set out to do.
The route to the target is more important than the target. We are going to go for the target, but we enjoy the route as well.
Planning is like "pointing yourself" in the direction of a target...no more than that. Let your power then redefine the target, and re-point you in the correct direction. Think of it like this: An arrow is never going to hit the target unless it's in flight. If you sit around and wait for God to shoot the arrow, nothing is going to happen.
I think there's an essential problem in movies and TV that I think a lot of people experience now: Audiences are way more interested in the actors than the characters that they're playing. It's a strange thing.
I'm already a big enough target. I'm already more famous than most people should ever hope to be, and, as such, that has a direct effect on the size of the target that is on me. And you always do what you can to reduce the size of the target while not reducing your presence.
One time when I played Australia I had a death threat, and they tried to keep it from me, but I found out. They had all this security backstage, outside the dressing room. I said, "What happens when I walk into the spotlight. I'm a target. So I really don't need all this. You guys can go out and sit in the audience. I think you'd be a lot more useful there." If somebody really wants to do you in nothing will stop them. It's proven by John F.Kennedy, the Pope and Ronald Reagan.
I think the perception of audiences that love folk and country is they're perceived to be more closed-minded than they really are.
There are some things that are more appropriate for different audiences. But the goal with all ages is to create comics that anyone can read, that don't talk down to kids. Kids can handle a lot more than people think.
There's a lot of criticism of brands getting involved with political messages, people sometimes don't like that, but I think it's really important. They have massive audiences and they have a huge reach.
Let me first say that I don't think the millennium target of cutting global poverty in half is an impossible or abstract target. I think it is a real and achievable goal.
I think jazz was just seeking respect and validity because a lot of people didn't believe it was a viable art form, and then they got a lot of attention in Europe. A lot of bands that can't catch flies in the US have these followings in Europe, [but] it's less and less the case. American audiences are way more sophisticated and adventurous than anyone thinks that they are.
The American audiences are more vocal and enthusiastic. British audiences tend to sit back a little more.
The truth is, a lot of people go to drag shows, really, for very light entertainment, and I think sometimes maybe we don't even give the audiences enough credit as to what they'd be down for.
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