A Quote by Tyra Banks
I'm very comfortable speaking to millions of people, but not comfortable in a small, intimate social setting. Like cocktail hour. I get very panicky.
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Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene its not one-on-one, its a one-on-12. Its very healthy, very comfortable, like a big pot luck supper among old friends.
Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.
If you're not comfortable with public speaking - and nobody starts out comfortable; you have to learn how to be comfortable - practice. I cannot overstate the importance of practicing. Get some close friends or family members to help evaluate you, or somebody at work that you trust.
The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
I'm very comfortable with failure. I'm very comfortable being the guy who disappoints people.
There are a lot of places that I know extremely well. Like, if I were to visit Sydney, Australia, I'd feel very comfortable there. I'm very comfortable in many, many cities.
I feel very comfortable with the way I look, and I feel very comfortable with the kind of confusion that it creates in people's minds.
I'm not very comfortable being an actorvist so to get to do something that I believe in is a much more comfortable way for me to be political.
Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.
I don't feel like I'm out of my element or anything like that. I'm very comfortable where I'm at. I enjoy being in this position, and actually it feels like I haven't really been away from it. I feel very comfortable out there from the first tee onwards.
In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.
I grew up in a highly Hispanic neighborhood. It was very rare to find any race other than Mexicans. I feel very comfortable around Spanish speakers and people from Mexico and people who don't always feel comfortable living in the U.S. because they are in fear of being deported.
Seattle was good for me. I was very comfortable there - not comfortable in terms of it was too easy, but I was at home, I was with my family and friends. It was a great life. I was home. But I think, for me, when I get too comfortable with the lifestyle and everything, I feel that my performances, my focus can go down.
You cannot be afraid to present yourself. And sometimes that takes practice. If you're not comfortable with public speaking - and nobody starts out comfortable, you have to learn how to be comfortable - practice. I cannot overstate the importance of practicing. Get some close friends or family members to help evaluate you, or somebody at work that you trust.
As you get older and ease your way into being a character actor you have to be comfortable with where you are in life and career, and I'm very comfortable with what I'm doing - working on projects I'm proud of.
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