A Quote by Unknown

There are two fatal errors that keep great projects from coming to life: 1. Not finishing 2. Not starting. — © Unknown
There are two fatal errors that keep great projects from coming to life: 1. Not finishing 2. Not starting.
I really want to be associated with great projects and character driven projects and films. I have to feed my soul, and keep feeling like an artist and keep being challenged.
The happiness of most people is not ruined by great catastrophes or fatal errors, but by the repetition of slowly destructive little things.
I am open to keep on discovering new interesting projects, and little by little I have been coming across very beautiful projects with very affectionate directors.
By bells and many other similar techniques they (schools) teach that nothing is worth finishing. The gross error of this is progressive: if nothing is worth finishing then by extension nothing is worth starting either. Few children are so thick-skulled they miss the point.
The errors of the intellect are fatal, still more dangerous than those of the heart.
Starting is easy. Finishing is hard.
I realized the secret to success is finishing! And not just finishing, but finishing strong!
I love 'Sunday in the Park with George.' I saw that when I was just, just starting theater school, and I remember singing 'Finishing the Hat' or at least reading the lyrics to 'Finishing the Hat' and other songs from 'Sunday in the Park with George' to my mom to try to explain why I wanted to be an artist.
The fatal tendency of mankind to leave off thinking about a thing when it is no longer doubtful is the cause of half their errors.
Good ideas are a dime a dozen. What counts is completion. Look at your life and all the half finished projects sitting on your shelf. Commit to taking on one of these ideas and finishing what you started.
Coming off 'Sopranos' and 'Mad Men,' I was starting to feel like I was being spoiled creatively. I wanted to move forward as a director in TV and get more involved in the process. After having those two great experiences, doing regular episodic TV wouldn't be quite the thrill.
There are two methods in software design. One is to make the program so simple, there are obviously no errors. The other is to make it so complicated, there are no obvious errors.
We must recognize our own behavioral errors. To be blunt, you are not likely to become a cognitive Zen master anytime soon. But a little enlightenment could keep you from making some common investing errors.
I've really been sort of focused on acting and I feel really lucky because great projects sort of keep coming my way. I guess the criteria that I look for, it gets increasingly difficult because when you have the privilege of working with someone like Diane [Keaton], it's kind of like, 'Well, where do you go from there.'
The heart errs like the head; its errors are not any the less fatal, and we have more trouble getting free of them because of their sweetness.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
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