A Quote by Unknown
New friends may be poems but old friends are alphabets. Don't forget the alphabets because you will need them to read the poems.
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I've been working on a collection of prose vignettes about girls I've had crushes on, from the age of six to the age of eighteen. This manuscript is thematic and organized in a way my poems about my friends aren't. My friends get into the poems simply because they mean a lot to me.
I love chapbooks. They're in some ways the ideal form in which to publish and read poems. You can read 19 poems in a way you can't sit down and read 60 to 70 pages of poems.
The poems I did write there [in Harvard] include Alphabets the 1984 Phi Beta Kappa poem and A Sofa in the Forties. And, of course, the John Harvard poem for the 350th anniversary Villanelle for an Anniversary.
When I'm assembling a book I concentrate as though I were writing a poem. A truly imagined arrangement will indicate gaps and generate new poems. I re-read the new poems in my folder in the hope that this might happen.
Make new friends, but keep the old;
Those are silver, these are gold.
New-made friendships, like new wine,
Age will mellow and refine.
Friendships that have stood the test -
Time and change - are surely best;
Brow may wrinkle, hair grow gray,
Friendship never knows decay.
For 'mid old friends, tried and true,
Once more we our youth renew.
But old friends, alas! may die,
New friends must their place supply.
Cherish friendship in your breast-
New is good, but old is best;
Make new friends, but keep the old;
Those are silver, these are gold.
How enriched life is by friends! Good friends, new friends, old friends, feathered friends, feline friends, friends of friends.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them.
My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.
It's awkward, because sometimes you find new friends that are cooler than your old friends, and then your old friends desperately try to cling on to you even though you sort of hate them by now.
These are crystalline - oftentimes incandescent - translations of Juarroz's powerful metaphysical poems where eternity and silence jut up against a world where “writing infects the landscape” and there are “more letters than leaves” - The kind of match one hopes for where both the translator and the poet are in luck; new poems which don't leak and yet old poems in which the original passion shines.
You've read some of the poems in this new unpublished book [Walker's Alphabet], e.g., the poem "C." I have a number of poems whose titles are letters of the alphabet:?A, B, C, D, E, F.
The inclusiveness of the Drama League luncheon is one of the most exciting things about it. I get to see old friends and meet new friends. Of course I can't tell who anybody is if they're under the age of 75. So my old friends become my new friends.
Read a lot - poems, prose, stories, newspapers, anything. Read books and poems that you think you will like and some that you think might not be for you. You might be surprised.
Read poems to yourself in the middle of the night. Turn on a single lamp and read them while you're alone in an otherwise dark room or while someone else sleeps next to you. Read them when you're wide awake in the early morning, fully alert. Say them over to yourself in a place where silence reigns and the din of the culture — the constant buzzing noise that surrounds us — has momentarily stopped. These poems have come from a great distance to find you.
I don't think I did write any poems to fill narrative gaps. Not consciously, anyway. As much as possible, I try to discover my poems' subject matter through the act of writing, instead of deciding ahead of time what my poems will be about.
