A Quote by Ursula Burns

I'm a black lady from the Lower East Side of New York. Not a lot intimidates me. — © Ursula Burns
I'm a black lady from the Lower East Side of New York. Not a lot intimidates me.
I grew up in the Lower East Side of New York.
My grandparents used to tell me stories about their trip to Ellis Island from Russia and life on the Lower East Side of New York.
That's what's interesting about the Lower East Side: It's New York, but it's also edgy. It's not as stuffy as Tribeca or Soho.
I cycled when I was at high school, then reconnected with bikes in New York in the late '70s. It was a good way of getting around the clubs and galleries of the Lower East Side and Soho.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
My grandfather and his wife came to America at the end of the 19th century from Hungary. Everyone started out on the Lower East Side. They became embourgeoise and would move to the Upper West Side. Then, if they'd make money, they'd move to Park Avenue. Their kids would become artists and move down to the Lower East Side and the Village.
I moved up over Lower East Side and I was adopted by eight foster parents; I lived all over New York City with these parents, man, till I was about ten years old.
More than any other place, New York is where I felt I belonged. I prefer the Lower East Side to any place on the planet. I can be who I am there, and I couldn't do that anywhere I lived as a child. I never fit in when I lived in California, even though that's where my roots are.
My family were Conservative Jews. My parents were both born in this country, but my father grew up on the Lower East Side, and my mother was born and raised in Harlem when there was a large Jewish 'colony' there. Eventually, they moved to Jersey City to get away from New York.
When I was a young comic in New York and I wasn't getting any work, I was wandering around the Lower East Side with my notebook. I would stop at the guitar place on St. Mark's and talk to that dude for a while, then I'd go to the bookstore and talk to that dude for a little while. I had a guy over at the record store, and I'd talk to him for a while. It kept me connected to life.
I remember my own life as a small boy, son of Jewish immigrants, in a janitor's flat on Orchard and Stanton streets on the Lower East Side of New York City. My father made pants and doubled as janitor of a tenement - before he made janitoring at $30 a month, plus rooms, a career.
I think the Social Office is really the office where East meets West. For those that don't know, the East side is typically the First Lady's side of the house. The West side is typically the President's side of the house.
There's not a lot of precedent for weird, bald musicians in the Lower East Side making records in their bedrooms and going on to sell a lot of copies of the record. Especially if you look at the pop climate.
In 1958 I finally found a large enough apartment on the Lower East Side, where I reverted to figure painting. I drew and painted quite a lot of figures and nudes. People would come and pose for me.
I think the Lower East Side inspires me. That whole neighborhood, a lot of the people that I worked with, seeing what we've gone through in life, being given an opportunity to understand who I am; my identity, my culture, and my roots.
I don't drink coffee I take tea my dear, I like my toast done on one side. And you can hear it in my accent when I talk, I'm an Englishman in New York. See me walking down Fifth Avenue, a walking cane here at my side. I take it everywhere I walk, I'm an Englishman in New York. I'm an alien I'm a legal alien, I'm an Englishman in New York.
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