A Quote by Urvashi Rautela
'Hate Story 4' is a revenge drama. My character Tasha is the real hero of the film. If you look at the poster, you will know.
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I am not the hero of this film. It is Lakshmi Narasimha Swamy. The story is related to him. That doesn't mean that 'Kshetram' is a devotional subject. The climax scenes will have the audience in tears. No, it is not a sentimental drama either. Devotional values have been interspersed with commercial elements in this film.
For film and theater, you know how the story starts; you know how the story ends. With TV, you don't. It's literally like living real life in character.
If the director has a story, he will go directly to the hero. If I have a big hero in hand today, any big banner or corporate will come to me. But if I say I have a good story, they will ask if I have a hero.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
We had to tell a hero's story, and the minute you have too many characters, it will take too much time in a two-hour film. We cannot do justice to each and every character.
In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.
I have always been astonished by hate. Revenge and hate. That is such strange human elements. I have seen a lot of that in my life. I am just as surprised each time. By revenge and hate.
I find that in preparation for a drama you can do a lot of character work and develop the character and know what you want to achieve and project throughout the course of the film.
I love really exploring... you know, a cop drama for example is a great way to explore class in this country and explore, you know, really, identity in the country and who we are in a way that is extremely exciting, but it's also real, you know, it's also real people and real drama. The same with the military. I mean, a good science fiction story is also great.
To have one's own story told by a third party who doesn't know that the character in question is himself the hero of the story being told, that's a technical refinement.
I think that the audience is smart enough to know that just because a drama is relating to real-world parallels, it doesn't mean that its story is exactly that story.
Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.
I joined the army to avenge the deaths of my family and to survive, but I've come to learn that if I am going to take revenge, in that process I will kill another person whose family will want revenge; then revenge and revenge and revenge will never come to an end.
If you want to know who God is, look at Jesus. If you want to know what it means to be human, look at Jesus. If you want to know what love is, look at Jesus. If you want to know what grief is, look at Jesus. And go on looking until you’re not just a spectator, but you’re actually part of the drama which has him as the central character.
Hate Story' is about power of women and I feel her bare back poster with a gun justifies it.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
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