A Quote by Uwe Boll
I think the harsh reviews helped, in that I spent way more energy in the preproduction and development. From this point of view, I'm very thankful for the harsh critics. I still think the critics were unnecessarily insulting in a lot of things, but I think it helped.
Related Quotes
I think without the harsh critics, I would maybe have not made progress. From BloodRayne on, I spent more time and money on the development.
Well, I think critics are very useful. But I think that they, in a way, betray their position when they stop people looking for themselves. Judgment is very easy, but I think, on the whole, professional critics maybe see too much, and compare too much, and forget the joy of actually looking and contemplating for its own sake.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
People are very harsh critics of animated humans.
I think at one point, a whole new younger generation of critics come in and they're really aware of zeitgeist in their group, and the older artists tend to get forgotten as their critics retire and do other things or stop paying attention. So there's a factor of aging that I think is to be considered, too. As a middle-aged artist, you kind of get put on a shelf for the young ones.
Some critics have been very harsh. That's okay. I like honest criticism.
From the writer's point of view, critics should be ignored, although it's hard not to do what they suggest. I think it's unfortunate to have critics for friends. Suppose you write something that stinks, what are they going to say in a review? Say it stinks? So if they're honest, they do, and if you were friends you're still friends, but the knowledge of your lousy writing and their articulate admission of it will be always something between the two of you, like the knowledge between a man and his wife of some shady adultery.
I really believe that fact that I have such power in terms of numbers with Facebook, Twitter, Instagram, et cetera, I think it helped me win all of these races where others spending much more money than I spent. You know, I spent my money. A lot of my money. And I won. I think that social media has more power than the money others spent, and I think maybe to a certain extent, I proved that.
Critics can be harsh and I think it's going to take me a long time to make people see what I have inside of me and that I really put my guts into movies and that I'm not superficial and that I'm not just a pretty face.
How you look has become ridiculously disproportionate to what you do. Critics are more harsh on female presenters.
I care very much what the fans think. I'm starting to loosen my grip on caring about what critics say, because I think that critics care about what fans think of them, too, so there's a little bit of a refraction there, through that glass.
I built my [early] career on negative reviews. There was a cultural war going on, the '60s was going on. All the film critics were square. They hated my movies. You could never have that happen today. Critics are way too hip.
I would have been a lot more nervous if I would had known that Matthew McConaughey was [on 30th Annual Television Critics Association Awards] and Julia Louis-Dreyfus was there and all that, and I was like, "Wait a minute and Bryan Cranston's here..." I think I would have got more nervous. But I think thinking it was just like, "Oh yeah critics, we're good." It was great.
I think it is the responsibility of critics to rely less strenuously on, to use a Hollywood phrase, "what they can live with," and more on an examination of the works of art from an aesthetic and clinical point of view.
I think modelling helped me. I was very shy and self-conscious when I went to college, and I think in some ways modelling exacerbates those things - because it's all about you being the centre of attention - but it also helped me travel.
I think futsal helped me a lot when I was 11 or 12 years old. It helped me to think quicker and look for the passing lines. I think I managed to move those lessons to 11-a-side football.
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