A Quote by Uwe Boll
House of the Dead 2 I gave away. Alone in the Dark 2 I will also not do; even if the DVD movie made money. BloodRayne 2 in the Wild West is what I really want to do.
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I've been stocking my nuts away like a squirrel for 15 years. I don't have kids, I don't have a wife. I own my own house. I don't owe anybody for it so I put my nuts away. I really made a commitment to myself to just do what I like to do and want to do, and not to do anything. I'm not even going to give six weeks away for money anymore, you know?
We thought about it, what we want to tell, and I didn't want to move it directly into the Nazi times. I thought it's much more interesting to see how BloodRayne became BloodRayne.
I can't say that I am a DVD junkie. I see most films that I want to see in the theater, and so most of my DVD-watching is catching up with the occasional movies that I missed or revisiting a film that I really care about, in which case I really want the extra channels, because it's a movie that I already love, and I want to know more about it.
I think it's impossible to get any movie made, let alone a character story. Even with big stars, which we had, there were challenges. But we got through it, and we're really happy that we made the movie. It's easier to make giant robot movies, but I'm not in that game.
Being unhappy means... Even if you want to love, because of a scar, you can't. Even though you don't want to be alone, because of that scar, you can't help but be alone. Even in bright sunshine, alone, you feel like you are lost in dark darkness.
Among the rich you will never find a really generous man even by accident. They may give their money away, but they will never give themselves away; they are egotistic, secretive, dry as old bones. To be smart enough to get all that money you must be dull enough to want it.
A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture.
I've always been a horror movie fan, since I was a kid. And I was also a really scared kid. I was easily scared of the dark. One of the ways I would try and get away from my fear of the dark was to pretend like the monsters were my friends.
I think without the harsh critics, I would maybe have not made progress. From BloodRayne on, I spent more time and money on the development.
My biggest emotional defeat and the greatest emotional pain I've had as an actor was when "Wild Wild West" opened up to $52 million. The movie wasn't good. And it hurt so bad to be the No. 1 movie - to open at $52 million - and to know the movie wasn't good.
God made the forests, the tiny stars, and the wild winds-and I think that he made them partly as a balance for that kind of civilization that would choke the spirit of joy out of our hearts. He made the great open places for the people who want to be alone with him and talk to him, away from the crowds that kill all reverence. And I think that he is glad at times to have us forget our cares and responsibilities that we may be nearer him-as Jesus was when he crept away into the wilderness to pray.
I have never made money selling records. I have never really made money touring, either, or with merchandise, surprisingly. But I do make money by just having my songs in the background of television shows or in commercials or movie trailers. That's been really good.
Nay if even in the house of Hades the dead forget their dead, yet will I even there be mindful of my dear comrade.
I gave away the money advanced from my record company on my first album, I'm the type of person who likes to give. I gave to my sister. She has four little babies and bought an old house and it needed repairs.
The expectation with family foundations is that if your name is on the foundation, unless you're dead, it's your money that's being given away. And even if you are dead, it was your money before.
'Under the Skin' is handsome, in a dour way, but inert - a cunning experiment that died in the shooting or on the editing table. You'll want to get the DVD, though, and not just for its study of Scarlett. Odds are that the Making-Of documentary will be far stranger and more fascinating than the movie that was made.
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