A Quote by Uwe Boll

We thought about it, what we want to tell, and I didn't want to move it directly into the Nazi times. I thought it's much more interesting to see how BloodRayne became BloodRayne.
I think of myself as a serious artist. Sometimes you can get in your head too much about that and forget that you have to have fun. I've been guilty in my career about that at times. But the more I thought about it, the more I thought I didn't want anybody else to have a hit with it!
House of the Dead 2 I gave away. Alone in the Dark 2 I will also not do; even if the DVD movie made money. BloodRayne 2 in the Wild West is what I really want to do.
I think without the harsh critics, I would maybe have not made progress. From BloodRayne on, I spent more time and money on the development.
'BloodRayne' was an abomination... It's a horrifying and preposterous movie.
I thought the world had actually ended. I thought nothing good could ever happen again. I thought anything might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, gradually became livable again.
I thought I could see how standup worked. I never thought of being an actor - or anything else, really - but I thought, 'I can see how you get on stage and tell jokes.'
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
My thought process is I have been lied to so much by people who I thought I could trust that it motivates me to want to be as honest as possible, to project that energy, because that is how I want people to treat me.
The most rapid way to change a root thought, or sponsoring idea, is to reverse the thought-word-deed process. Do the deed that you want to have the new thought about. Then say the words that you want to have your new thought about. Do this often enough and you'll train the mind to think a new way.
I want to tell stories which require something of an audience, by way of thought, argument, emotion, because I'm more often in an audience than I am a maker of films, and that's the kind of movie I want to see.
I just find this interesting that Ronald Reagan was regarded much the way Donald Trump is except Reagan was governor of California. He had run for the nomination the Republican Party in '76. But he was laughed at. They thought he was dumb then. They thought he was slow minded and dim-witted back then. They thought he couldn't speak. They thought Reagan - amazingly, a guy that later became known as the Great Communicator - couldn't speak.
I thought it would be interesting to write a song about a lonely person who is scared to see the truth that is right in from of him. I thought it would be interesting if you could watch yourself from a distance.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
You could say I'd rewritten the same novel three times and I thought I had to move on. The success of the book, and then the movie, had by then also created a commercial expectation and I remember touring America and seeing people in the audiences who I thought might not want to read the books I wanted to write next. My constituency had become broader, but more mysterious to me.
But most hearts say, I want, I want, I want, I want. My heart is more duplicitous, though no twin as I once thought. It says, I want, I don't want, I want, and then a pause. It forces me to listen.
I love you, he thought, looking at Win. I love every part of you, every thought and word...the entire complex, fascinating bundle of all the things you are. I want you with ten different kinds of need at once. I love all the seasons of you, the way you are now, the thought of how much more beautiful you'll be in the decades to come. I love you for being the answer to every question my heart could ask.
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