I love playing with language and the rhythm of language - for some reason, this seems so much easier for me to do when I get to make things up than when writing nonfiction.
Everyone else thinks I'm a nonfiction writer. I think it's because my nonfiction is easier to find. But I write both in equal measure. I love writing fiction because I can totally lose myself, and I get to make up the rules of the world that I'm writing.
The politics of language and the politics of writing really got to me. I've heard this phrase more than once now: this idea of the poetry wars, or the idea that people within the space of writing are at odds with one another or manipulating language to further one's political stance, manipulating language in ways that really felt dirty to me. All of these things worked their way into and through language for me.
It's my language, the language I speak. I've spent a lot more time playing music than talking or writing.
The Greek language seems different than other languages. I'm not the only person to think this. Usually, I come up with some kind of dopey metaphor for why it's different. But it seems, somehow, more original, more like being in the morning of language.
I don't read much nonfiction because the nonfiction I do read always seems to be so badly written. What I enjoy about fiction - the great gift of fiction - is that it gives language an opportunity to happen.
I try to make the voice in my head come out onto the page. I try to make it much more conversational than other writing. I speak everything, so if something sounds right I write it. It's more about sound and the rhythm of speech than written language.
What makes me write is the rhythm of the world around me - the rhythms of the language, of course, but also of the land, the wind, the sky, other lives. Before the words comes the rhythm - that seems to me to be of the essence.
I love language. It doesn't bother me that its effects are partial. To me that is very sanity-producing. It would be weird if the effects of language were more than partial, if your whole life existed within your texts. That would be much scarier to me than language being an inadequate tool to represent.
I find myself trying to translate a lot of the things whirring passed my subjective lens into language I can make sense of, then that tribal tongue becomes rap-language and for whatever reason some people on the internet really like that. To y'all I'm eternally indebted.
Poems are a dance of language that comes out when my body taps into the rhythm of language. Rhythm gets us naked and exposes our selves completely.
I love communicating with people, and sometimes language is not enough. I think that's what poetry is, where you can mess with language and get through to things that can't be described or communicated through regular language or scientific processes.
Expressing love in the right language. We tend to speak our own love language, to express love to others in a language that would make us feel loved. But if it is not his/her primary love language, it will not mean to them what it would mean to us.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
The Gaelic language itself depends very much on ear and rhythm, and when those who are thinking in Gaelic speak in English, they get the same rhythm.
I was on 'SVU' for 11 years. I developed a muscle in my brain that could memorize things much more easily than people who don't do it every day. I got used to the language, and some of it got to be repetitive language, so you build your vocabulary.
There was a language in the world that everyone understood, a language the boy had used throughout the time that he was trying to improve things at the shop. It was the language of enthusiasm, of things accomplished with love and purpose, and as part of a search for something believed in and desired.